I contributed to the 3D asset modeling and look development for the following projects. These all depict things that exist in real life, and were made from reference.

"RY 20401" PRODUCT RENDEr - RYOBI

STUDIO: TTI (Anderson SC)

ROLE: I cleaned up CAD data and performed look dev and lighting using REDSHIFT in CINEMA 4D

NOTE: Authored in 10k, This render was used in print, product packaging, and online marketing. Remote work. I created renders of multiple angles and lighting setups for about 50 products on a multiple month contract. The art direction had to be maintained very consistently from one product to the next so if you see one you've seen them all, but I like this product’s design the best out of all the things I rendered, so Im using it as the showcase.

"introducing AEON" WEB SPOT - HEXAGON ROBOTICS

STUDIO: ANIMUS STUDIOS (Providence)

ROLE: Look Dev and lighting using REDSHIFT. I cleaned up the CAD data and did the rigging in CINEMA 4D. I contributed to C4D animation and compositing in AFTER EFFECTS. Remote work.

"SECRET CLIENT" TVC - PROGRESSIVE INSURANCE + BARBIE MOVIE

STUDIO: BRICKYARD VFX (Boston)

ROLE: I did 3d Modeling using MAYA and look development using VRAY and PHOTOSHOP for all the props and environment aside from the car and hedge.

NOTE: The set is entirely handcrafted 3d models and textures, based on 3d scans and photos from the Barbie Movie set. Remote work.

"LINK system" web spot - RYOBI

STUDIO: TTI (Anderson SC)

ROLE: CAD data cleanup and 3D modeling in CINEMA 4D, Look Development and lighting using REDSHIFT. Remote work.

"XPS" TVC - Dell

STUDIO: OFFICE OF DEVELOPMENT AND DESIGN (NYC)

ROLE: I retopologized CAD data using MAYA and did Look Development using reference provided by the client. I also did the animation. Made at ODD in NYC.

"women who roar" PROM- PARETTA AUTOSPORT

STUDIO: SPARK + ASTER (Baltimore)

ROLE: 3D Lead. I did look development, lighting, 3d animation with MAYA, and 2d post with AFTER EFFECTS.

NOTES: In 2021 this team became the first women owned team to compete in the Indy 500, with a woman driver for bonus points.

"DATING NAKED" TV SPOT - VH1

STUDIO: THE ARTERY (NYC)

ROLE: 3D Lead. MAYA Previs, camera and scene layout, animation, contributed to modeling, rigging; look dev using PHOTOSHOP and ARNOLD. NUKE compositing.

“Waterfall” times square video billboards - Zyrtec + Walgreens

 STUDIO: TRANSISTOR STUDIOS (NYC)

ROLE: 3d modelling, look dev, lighting, using MAYA and PHOTOSHOP for textures. Integrating fluid sim data.

NOTE: This project was authored in various resolutions for display on oddly shaped custom video billboards in Times Square NYC. The footage of the actual billboards was taken by me with an old Android phone, sorry about the quality.

Jlab web spot

CLIENT: GO3DVIZ (San Diego)

ROLE: 3D and post Lead. MAYA 3d. I did all of the keyframe animation, Look dev/lighting, scene layout, camera, and VFX, and cleaned up CAD data, using MAYA. PHOTOSHOP textures. AFTER EFFECTS post. Work was performed remotely.

VINASOY- TVC opener

STUDIO: Yeti Film (HCMC Vietnam)

ROLE: I performed all 3d tasks for this TVC opener made for Yeti Films in Vietnam using MAYA , PHOTOSHOP, and AFTER EFFECTS

ICE ROAD TRUCKERS

CLIENT: GUERILLA ANIMATION (LA)

ROLE: I modeled and performed look development on this asset, including all internal mechanical systems. Remote work.

NOTE: Replicating a specific truck used throughout the branding of the show, this model was used in animated segments of the TV show ice Road Truckers, re-enacting accidents and illustrating the mechanical function of systems. I did not work on the animations.

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