IAN M WILMOTH

SECRET CLIENT

3d modeling • look dev • lighting

MAYA • PHOTOSHOP • REDSHIFT

PROGRESSIVE + BARBIE MOVIE TV spot • BRICKYARD VFX 2023

I performed 3-D modeling+surfacing of the Barbie house and props • The set is entirely handcrafted 3d models and textures, based on 3d scans and photos from the Barbie Movie set • Remote work


hyper focus

Toon shading • animation • Look Development • lighting

MAYA • UNREAL

aston martin f1 car reveal video • UNIT9 2024

F1 car 3D model and texture provided by client • Remote work


HOLIDAY HARMONY

previs • scene layout • camera • rigging • animation • CFX

MAYA

MICROSOFT TV spot • MPC (now The Mill) 2018

Onsite work in NYC


LINK system

CAD data cleanup • 3D Modeling • lighting • animation

CINEMA 4D • PHOTOSHOP • REDSHIFT • after effects

RYOBI web spot • TTI

Remote work


its time for AEON

Look Dev • lighting • CAD • cleanup • rigging • animation • post

REDSHIFT • CINEMA 4D • AFTER EFFECTS

HEXAGON ROBOTICS WEB SPOT • ANIMUS STUDIOS 2025

Retopologizing CAD data •  Rigging •  Look Dev •  Remote work


DER E-BRIEF

scene layout • modeling  •  render passes setup

Maya

DEUTSCHE POST TV SPOT •  PSYOP 2016

I performed scene 3D modeling, layout, and render pass setup of 75+ passes • Onsite work in NYC Despite being for the German market


happy HONDA DAYS

Lead 3D •  previs  •  camera  •  3d modeling  •  rigging  •  look dev •  lighting   •  animation

MAYA  •  photoshop  • AFTER EFFECTS

honda TV spot •  BRAND NEW SCHOOl 2011

Onsite work in NYC


made every Day

Lead 3D •  3d modeling  •  lighting  •  animation  •  VFX   • look dev  •  post

MAYA  •  PHOTOSHOP  •  NUKE • vray

history channel web spot • GHOST ROBOT 2009

I also performed all VFX tasks for the successful pitch for this spot • Onsite work in NYC.


SWITCHING

3d previs  •  camera animation  •  post

MAYA  •  AFTER EFFECTS

BRITISH GAS TV SPOT  •  HORNET 2009

Onsite work in NYC despite being for the British market


women who roar

Lead 3d • look development • lighting •  post

MAYA •  ARNOLD •  PHOTOSHOP • AFTER EFFECTS

PARETTA autosport web spot • SPARK + ASTER 2021

Indycar model and texture provided by client • This spot was used to raise sponsorship and awareness for the team • In 2021 Paretta Autosport became the first woman owner and woman driver team to compete in the Indy 500 • The car did not race using this livery because they got major sponsorship that had their own branding • Remote work


wild one

3D Generalist  •  postvis  •  layout  •  look dev  •  3d animation  •  tracking  •  VFX   •  post

MAYA  •  PFTRACK  •  NUKE  •  ARNOLD  •  AFTER EFFECTS

United healthcare TV spot  •  IMAGINARY FORCES 2015

Onsite work in NYC


LINK system

CAD data cleanup • 3D Modeling • lighting • animation

CINEMA 4D • PHOTOSHOP • REDSHIFT • after effects

web spot •  ryobi 2021

Remote work


bionic fireman

Lead 3d • 3d modeling • 3d animation • look dev • on-set VFX supervisor • post

AFTER EFFECTS • MAYA • PHOTOSHOP

capcom Video game spot • Looseworld 2007

Onsite work in NYC


challenges

AI Director • Edit • color • post

NANO BANANA • seedance • PHOTOSHOP • AFTER EFFECTS • TOPAZ

babolat tennis spec spot • projective film 2026

This project combines live action, CGI VFX, and AI video generation and post • I created the final video based on storyboards + footage provided by client • Babolat is the oldest racquet sports company in the world, founded 1875 • Remote work


Life platform

Lead 3D •  3d Modeling  •  Rigging  •  Toon Shading  •  CFX  •  scene Layout  •  Animation • Post

MAYA  •  PHOTOSHOP  •  AFTER EFFECTS

intel BRAND FILM • ORGANIC 2013

This project was released in 2013, and it proved to be eerily prescient in its predictions  •  Onsite work in NYC


DATING NAKED

Lead 3d •  Previs  •  camera  •  layout  •  animation  •  modeling   •  rigging  •  look dev  •  post

PHOTOSHOP  •  MAYA  •  ARNOLD •  NUKE

VH1 TV SPOT  •  THE ARTERY 2017

Onsite work in NYC


Gold Ambush

Lead 3d • 3D previz • modeling • rigging • animation • look dev • lighting • vfx • POST

MAYA • PHOTOSHOP • after effects

kevin hart video game trailer •  NBTV 2017

Adapted video game assets for use in a commercial  •  Remote work


pure fishing

AI Director • Edit • color • post

NANO BANANA • VEO • KLING • PHOTOSHOP • AFTER EFFECTS • TOPAZ

pure fishing tvc • direct to client 2026

I created the final videos based on rough verbal concept provided by client, performing all design, editing, sound, and post • Remote work


the office

AI Director   •  Editor   •  post

VEO   •  NANO BANANA   •  PHOTOSHOP   •  FLUX   •  AFTER EFFECTS   •  TOPAZ

studio promo  •  creo collective 2025

Self promotion spot for the studio  •  I performed all production tasks  •  Remote work


sing up

Lead 3d • 3d modeling • 3d animation • look dev • VFX • post

AFTER EFFECTS • MAYA • PHOTOSHOP

edutainment program spot • transistor 2008

Onsite work in NYC


sora memes

AI Director   •  Editor   •  post

NANO BANANA   •  VEO   •  PHOTOSHOP   •  AFTER EFFECTS   •  TOPAZ

Ranchworx social media • Ranchworx 2025

This video combines three clips that were made to be posted as vertical videos on social media •  In addition to my usual roles I was responsible for the sound, motion graphics, and edit on this project  •  The client requested having Sora watermarks to hop on the current trend of Sora meme videos  •  I performed all production tasks  •  Remote work


dell XPS

Lead 3d • CAD data cleanup •  Look Development •  rigging  •  animation • post

MAYA • PHOTOSHOP • nuke

TV spot • OFFICE OF DEVELOPMENT AND DESIGN 2011

Onsite work in NYC


nike FUEL BAND

Lead 3D •  3d Modeling  •  Animation  •  Post

MAYA   •  AFTER EFFECTS 

Nike web spot   •  INTERBRAND 2014

I created the motion graphics/LED screen animation as well as the 3D and compositing  •  Onsite work in NYC


sprint unlimited

3d modeling  •  rigging  •  animation  •  layout  •  post  •  look dev

MAYA  •  AFTER EFFECTS  •  photoshop

sprint tvc  •  transistor 2008

Onsite work in NYC


gulp, splash, whirlpool

Lead 3D • 3D Modeling • Look Development • Lighting • VFX • Rigging • animation • cfx • post

MAYA • photoshop • NUKE

nestea tv spots • 1st AVE MACHINE

This contains clips from three different spots • Onsite work in NYC


sublymonals

Lead 3D • modelling   •  animation  •  look dev  •  CFX  •  post

MAYA  •  AFTER EFFECTS  •  PHOTOSHOP

spritE web spots  •  CRISPIN PORTER & BOGUSKY 2004

These clips were made for an advanced flash website that's allowed users to interact with numerous multimedia components in an alternate reality game, but ultimately it was an advertisement for Sprite  •  Remote work


nickelodeon Zoobles

Lead 3d • 3d modelling • look dev • lighting • rigging • animation

MAYA • PHOTOSHOP

TV spot • SUPERFAD 2013

These assets were Polygon modeled and textured from scratch using the real toys as reference •  Onsite work in Seattle


ibm social analytics

Lead 3D •  Previs  •  camera   • scene layout  •  animation   •  lighting  •  look dev  •  post

MAYA  •  PHOTOSHOP •  AFTER EFFECTS

IBM TV spot  •  THORNBERG AND FORESTER 2018

After the shoot the client changed their mind so I had to remove the original objects from half the peoples hands and replace them with 3-D  •  (I'm not telling which all objects are 3-D, but the car in the thumbnail image is one)  •  I also composited the multiple live action takes to make the final shot, each hand was shot separately  •  And I created the textures for the blackboard using illustrations provided by the client  •  Onsite work in NYC


the kraken

Lead 3D •  modeling  •  look dev  •  3d animation  •  lighting   •  post

MAYA  •  photoshop  •  AFTER EFFECTS

kraken rum tvc • TRANSISTOR 2008 

I modeled and surfaced the bottle as well as the other assets using textures provided by the client •  I integrated fluid sim data made by another artist •  Onsite work in NYC


AGENT F(ashion)

AGENT V(ideo)

AGENT P(RODUCTIVITY)

AGENT M(USIC)

Motoworld

Lead 3D • 3d Modeling  •  Rigging  •  Toon Shading  •  CFX  •  scene Layout  •  Animation   •  Lookdev • Post

MAYA PHOTOSHOP  •  AFTER EFFECTS

MOTOROLA website content •  DraftFCB 2017

This animation was embedded in a website for Motorola mobile phones  •  Each character personified a different market segment with unique use cases for phones •  Remote work


vinasoy

Lead 3D • modeling • look dev • rigged • animation • cfx • lighting • posed

MAYA • PHOTOSHOP • AFTER EFFECTS

VINASOY TVC opener • YETI FILM 2005

Remote work


welcome to miami

AI Director   •  Editor   •  post

DALL-E   •  STABLE DIFFUSION   •  ADOBE FIREFLY   •  IMAGEN   •  MIDJOURNEY   •  PIXVERSE   •  SUNO   •  ELEVENLABS   •  AFTER EFFECTS   •  PHOTOSHOP   •  TOPAZ

MIAMI MARLINS tvc opener   •  MOTION 504 2024

I used the latest generative AI tools to create a bumper used for various media products for the Miami Marlins baseball team  •  I performed all production tasks  •  Creative directed by client • Remote work


huge holiday

3d modeling  •  rigging  •  layout  •  previz  •  post  •  editing

MAYA  •  AFTER EFFECTS

spec spot • ideamachine 2014

Onsite work in NYC


hp emfp

Lead 3D •  Postvis  •  camera  •  scene layout  • VFX animation  •  modeling  •  rigging  •  look dev  •  Lighting  •  Tracking  • CAD data cleanup • Post

MAYA  •  PFTRACK  •  Photoshop   •  AFTER EFFECTS

hp website content   •  TRANSISTOR 2008

Onsite work in NYC