Animated sequences of flying pages with continuity • Remote work
This stop-animation piece was shot frame by frame with DSLR's and composed at 8000 pixels wide for the video wall at the IAC Center in Chelsea • Designed by Frank Gehry, at the time of completion the building had the largest video wall in the world at over 120' long • This clip is only a small horizontal and temporal section of the 15 minute long piece • Onsite work in NYC
Many shots I postvisualized are in the trailer 1:35 to 2:10 including the poster frame • Remote work
This contains clips from three different spots • Onsite work in NYC
MAYA • PFTRACK • AFTER EFFECTS • PHOTOSHOP
This song became a certified Platinum hit, the video went viral and has over 200 million views on Youtube • I did invisible VFX to fix issues on 20 live action shots • EG In the poster frame there is a BG replacement because the band was just in the backyard of a house • Onsite work in NYC
Any resemblance to real people is strictly coincidental
A quick test of multi shot prompting • I performed all production tasks • Remote work
They actually shot onions and garlic with a gun and filmed it in slow motion • This project was made to be displayed on a video billboard in Times Square NYC • Onsite work in NYC
Preproduction test for a live action music video • the video had not been shot yet, so first I generated a fake video clip to demonstrate how the fire VFX can be added using AI with similar quality to traditional VFX in a fraction of the time • I performed all production tasks
These clips and other similar ones not used here were repurposed in many different configurations for broadcast and promotions • There were custom graphics made for each race on the calendar • Onsite work in NYC
This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel • Some of the shots use 3-D composited into live action and other shots use AI • Remote work
NSFW. This film has screened in numerous festivals and museums worldwide, including the Louvre in Paris, the Berlin IFF, the Brooklyn Art Museum, and the NEXT festival in Romania, in various formats including a 2 screen installation. Remote Work.
The project was a studio promo animated short intended to achieve Western CGI production values for the Vietnamese local market • It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background • This was a vast time savings because the single frame took an hour to render • I performed all production tasks • Remote work
Remote work
Inspired by a real Reddit discussion • I performed all production tasks
Tip of the hat to MC Escher for the design inspiration • I performed all production tasks
The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic • The voice over text is by Alan Watts • Any resemblance to real people is strictly coincidental • I performed all production tasks
The story is about psychology • using Jungian theory to embody memetic warfare as a magic battle • I performed all production tasks
This project was an experiment in vibe filmmaking within Google’s Flow AI ecosystem, with no references used • I was mainly interested in simulating an LED wall with a car • As a former Porsche owner / car nerd, believe me I notice every inaccuracy here • For a real commercial project final frame render I would definitely use reference for each angle to ensure accuracy and consistency, but this is just about vibes and testing the workflow • I performed all production tasks
The story is about psychology • using Jungian theory to embody the inevitable transition from evening into night as a dragon battle between heroic underdogs and a corrupt monarch • I performed all production tasks
This video became the basis of a hugely popular meme • The official Youtube upload has hit over 150 million views • Work was performed remote/onsite hybrid in NYC
The project was created as a demo of Meta’s AI tools, they were used for all the AI images, sound, and video • I was responsible for the creative • I performed all production tasks • Remote work
This was directed by Marvel director Jake Schreir (Thunderbolts) and stars Marvel director Jonathan Watts (Spiderman) • Remote work
Youtube viral phenom Ian Hubert's feature debut • This is a supercut of the most interesting shots featuring my work, which had 12 minutes of screen time in total- mostly as a virtual set • Remote work
Dir. Marc Forster (James Bond) • I worked on the sequences with pyramids • Remote work
This film was selected for the Cannes Directors Fortnight • Starring future award-winning director Brady Corbett (The Brutalist) • I was responsible for a small number of subtle but narratively consequential photoreal visual effects shots • Onsite work in NYC
Onsite work in NYC
NOTE: I worked on the shots used in the trailer as proof of concept, and edited the trailer, but the film was never finished because of budget problems • Virtual prosthetics I made were going to be used in over 100 VFX shots • Onsite work in NYC
Trailer for Neon Destruction season 1 • Neon destruction is a Sci-Fi animated series that was released in 10 weekly mini-webisodes in early 2024 • It investigates serious questions about society and human nature under the guise of low brow entertainment • The editing and post uses traditional live action/VFX filmmaking techniques • The show is aimed at Autistic 13-17 year olds • The AI Slopera is a new genre which I invented for this project • The narrative embraces the chaos and sloppiness of early AI video generations as a punk rock Lo Fi experiment • I performed all production tasks