Broadcast on ABC and streamed on Disney+ This was the #1 TV show in the television ratings on it’s debut • I performed all 3D production tasks on the spot other than modeling the book cover details • Remote work
CLICK HERE FOR SHOT BREAKDOWN IN NEW TAB Legacy CGI projects reel - I still use these VFX techniques to enhance and edit AI footage and integrate AI with live action and animation.
Animated sequences of flying pages with continuity • Camera Animation • Character Animation • Scene Layout • Remote work
Many shots I postvisualized are in the trailer 1:35 to 2:10 including the poster frame • Using assets provided by the client I performed all tasks of 3-D character animation and quickly integrating CGI dogs into live action at 80% quality for postvisualizing shots prior to creating the final frame VFX • work involved camera tracking, roto, removal, and compositing shots out of multiple takes of motion control camera live action • Remote work
These clips were made as demonstrations and tests of face swapping for a documentary feature about Spyo, a famous but anonymous Danish grafitti artist • the idea is to use AI instead of a mosaic effect in order to preserve the emotions of the facial expression while anonymizing the subject • Remote work
This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel • Some of the shots use 3-D composited into live action and other shots use AI • Remote work
MAYA • PFTRACK • AFTER EFFECTS • PHOTOSHOP
This song became a certified Platinum hit, the video went viral and has over 200 million views on Youtube • I did invisible VFX to fix issues on 20 live action shots • EG In the poster frame there is a BG replacement because the band was just in the backyard of a house • Onsite work in NYC
This project was made entirely from photographs I took in 2005 in NYC • I performed all production tasks
I was the post production supervisor on the live action shoot, and I overrode the DP to shoot on black scrim instead of green screen because of the reflecting spill, saving the project • I rotoscoped most of the outer space shots, as well as doing all the 3DVFX • Onsite work in NYC
This is the trailer for the season I worked on, when the show was rebooted on Hulu • Made by Matt Groenig, the creator of The Simpsons • I made 3-D assets and texture maps for characters, vehicles, and environments, but I did not work directly on the episodes • Onsite work in LA
Any resemblance to real people is strictly coincidental
A quick test of multi shot prompting • I performed all production tasks • Remote work
The project is a teaser for a 3d feature adaptation of the 2d animated Netflix series • Onsite work in Baltimore
The project was created as a demo of Meta’s AI tools, they were used for all the AI images, sound, and video • I was responsible for the creative • I performed all production tasks • Remote work
This project was an experiment in vibe filmmaking within Google’s Flow AI ecosystem, with no references used • I was mainly interested in simulating an LED wall with a car • As a former Porsche owner / car nerd, believe me I notice every inaccuracy here • For a real commercial project final frame render I would definitely use reference for each angle to ensure accuracy and consistency, but this is just about vibes and testing the workflow • I performed all production tasks
In-house film made to promote the studio • using stock meshes for the buildings and interior objects I performed all scene layout, surfacing + lighting, and 3-D VFX animation • Onsite work in NYC
These clips and other similar ones not used here were repurposed in many different configurations for broadcast and promotions • I performed all 3-D VFX and camera tracking • There were custom graphics made for each race on the calendar • Onsite work in NYC
The project was a studio promo animated short intended to achieve Western CGI production values for the Vietnamese local market • It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background • This was a vast time savings because the single frame took an hour to render • I performed all production tasks • Remote work
This video became the basis of a hugely popular meme • The official Youtube upload has hit over 150 million views • Work was performed remote/onsite hybrid in NYC
I also performed all VFX tasks for the successful pitch for this spot • Onsite work in NYC.
Inspired by a real Reddit discussion • I performed all production tasks
Onsite work in NYC
The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic • The voice over text is by Alan Watts • Any resemblance to real people is strictly coincidental • I performed all production tasks
Adapted video game assets for use in a commercial • Remote work
Onsite work in NYC
Preproduction test for a live action music video • the video had not been shot yet, so first I generated a fake video clip to demonstrate how the fire VFX can be added using AI with similar quality to traditional VFX in a fraction of the time • I performed all production tasks
The story is about psychology • using Jungian theory to embody memetic warfare as a magic battle • I performed all production tasks
Directed by JON WATTS (SPIDERMAN) Illustrations by Katy Horan were adapted for use as textures • The actor in the video is by Cat Stevens’ son Yoriyos, who also wrote and performed the soundtrack • Onsite work in NYC
The project is a teaser for a 3d feature adaptation of the 2d animated Netflix series • Onsite work in Baltimore
I created the motion graphics/LED screen animation as well as the 3D and compositing • Onsite work in NYC
This contains clips from three different spots • Onsite work in NYC
Onsite work in NYC
The story is about psychology • using Jungian theory to embody the inevitable transition from evening into night as a dragon battle between heroic underdogs and a corrupt monarch • I performed all production tasks
What if they had Ikea during the Baroque age? • It's so fun to work with AI, unlocking numerous project ideas that would have remained dormant with prior workflow limitations • The AI handled the part of this that would have been a difficult visual effect before • However, I still had to create the text overlays and position + animate them by hand • I performed all production tasks
This project was released in 2013, and it proved to be eerily prescient in its predictions • Onsite work in NYC
After the shoot the client changed their mind so I had to remove the original objects from half the peoples hands and replace them with 3-D • (I'm not telling which all objects are 3-D, but the car in the thumbnail image is one) • I also composited the multiple live action takes to make the final shot, each hand was shot separately • And I created the textures for the blackboard using illustrations provided by the client • Onsite work in NYC
Remote work
This was directed by Marvel director Jake Schreir (Thunderbolts) and stars Marvel director Jonathan Watts (Spiderman) • Remote work
Onsite work in NYC
Remote work
Vimeo staff pick • This project was shot on 8mm B&W film • The actor is Cat Stevens’ son Yoriyos, who also write and performed the soundtrack • Remote work
Youtube viral phenom Ian Hubert's feature debut • This is a supercut of the most interesting shots featuring my work, which had 12 minutes of screen time in total- mostly as a virtual set • Remote work
Dir. Marc Forster (James Bond) • I worked on the sequences with pyramids • Remote work
This project combines live action, CGI VFX, and AI video generation and post • I created the final video based on storyboards + footage provided by client • Babolat is the oldest racquet sports company in the world, founded 1875 • Remote work
This content was used as the intro and as the background of bumpers for promotional web videos for a mobile/web development company • I performed all production tasks • Creative directed by client • Remote work
This film was selected for the Cannes Directors Fortnight • Starring future award-winning director Brady Corbett (The Brutalist) • I was responsible for a small number of subtle but narratively consequential photoreal visual effects shots • Onsite work in NYC
Onsite work in NYC
Onsite work in NYC
Remote work • A bootleg of this video taped off of MTV Headbangers Ball went viral and was viewed millions of times on YouTube, but was taken down
NOTE: I worked on the shots used in the trailer as proof of concept, and edited the trailer, but the film was never finished because of budget problems • Virtual prosthetics I made were going to be used in over 100 VFX shots • Onsite work in NYC
