IAN M WILMOTH

Masters of the universe

3D Modeling

MAYA

mattel movie titles • PICTUREMILL

Remade the logo in 5 languages • Remote work.


secret client

3d Modeling • look development

MAYA • VRAY • PHOTOSHOP

PROGRESSIVE + BARBIE MOVIE TV spot • BRICKYARD VFX

The set is entirely handcrafted 3d models and textures, based on 3d scans and photos from the Barbie Movie set • Remote work


hyper focus

Toon shading • animation • Look Development • lighting

MAYA • UNREAL

aston martin f1 car reveal video • UNIT9

F1 car 3D model and texture provided by client • Remote work


drive by wire

Lead 3D •  modeling  •  look dev  •  3d animation  •  3d tracking •  lighting   •  post

MAYA  •  PFTRACK  •  AFTER EFFECTS

INDYCAR SERIES BROADCAST graphics • TRANSISTOR STUDIOS 

These clips and other similar ones not used here were repurposed in many different configurations for broadcast and promotions • There were custom graphics made for each race on the calendar •  Onsite work in NYC


Simona De Silvestro indy 500 entry

Lead 3d • look development • lighting •  post

MAYA •  ARNOLD •  PHOTOSHOP

PARETTA autosport look development • SPARK + ASTER

Indycar model and texture provided by client • This render and other material using this asset was used to raise sponsorship and awareness for the team • In 2021 Paretta Autosport became the first woman owner and woman driver team to compete in the Indy 500 • The car did not race using this livery because they got major sponsorship that had their own branding • Remote work


women who roar

Lead 3d • look development • lighting •  post

MAYA •  ARNOLD •  PHOTOSHOP • AFTER EFFECTS

PARETTA autosport web spot • SPARK + ASTER

Indycar model and texture provided by client • This spot was used to raise sponsorship and awareness for the team • In 2021 Paretta Autosport became the first woman owner and woman driver team to compete in the Indy 500 • The car did not race using this livery because they got major sponsorship that had their own branding • Remote work


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iw-01 : The unreal mobile

Lead 3d • Look Dev • lighting • Modeling • Rigging

UNREAL • MAYA

personal work

NOTE: Look Development test renders made in the Unreal Engine • 100% Polygon modeled by hand, I custom made all the UNREAL shaders on the car • I also designed the car • Stock background assets were used • This model is the basis for an AI animation, click to view it.


TYLENOL 500

Lead 3d • 3d modeling • look development

MAYA

Johnson & johnson PRINT advertising • THE 3D AGENCY

This image was made at print resolution and used in multiple layouts, and repurposed for online also • Remote work


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overheated TRUCK

Lead 3d   •  3d modeling   •  rigging   •  pose   •  look dev

MAYA   •  PHOTOSHOP  

personal work

I made this project out of frustration with the character designs in Pixar's “Cars” • In my opinion, the front of a car already forms a face without putting eyes on the window • I performed all production tasks


Armored cars

Lead 3d • cleanup of existing 3D assets •  look development •  rigging

MAYA •  ARNOLD

look development •  dsig

3D Assets provided by the client •  These are refurbished older-model military vehicles, nothing about them is classified or secret •  These assets were rigged and shaded to create exploded views and animations for web videos •  Remote work


ICE ROAD TRUCKERS

Lead 3d • modeled • look development

MAYA  •  Photoshop

Discovery channel episodic show assets •  GUERILLA ANIMATION

Replicating a specific truck used throughout the branding of the show, including all internal mechanical systems •  This model was used in animated segments of the TV show ice Road Truckers, re-enacting accidents and illustrating the mechanical function of systems •  I did not work on the animations •  Remote work


AEON robot

CAD data cleanup • rigging • Look Dev • lighting

CINEMA 4D • REDSHIFT

HEXAGON ROBOTICS WEB SPOT look development • ANIMUS STUDIOS

Look Dev based on photos from client •  Remote work


its time for AEON

Look Dev • lighting • CAD • cleanup • rigging • animation • post

REDSHIFT • CINEMA 4D • AFTER EFFECTS

HEXAGON ROBOTICS WEB SPOT • ANIMUS STUDIOS

Remote work


PRODUCT RENDErs

CAD data cleanup • look dev • lighting

CINEMA 4D • PHOTOSHOP • REDSHIFT

RYOBI ecommerce images •  TTI

Authored in 10k with texture detail that is literally microscopic at this size •  These renders are used in print, product packaging, and online marketing •  I created renders of multiple angles and exploded views for about 50 products on a multiple month contract •  Remote work


LINK system

CAD data cleanup • 3D Modeling • lighting • animation

CINEMA 4D • PHOTOSHOP • REDSHIFT • after effects

RYOBI web spot •  TTI

Remote work


XPS

Lead 3d • CAD data cleanup •  Look Development •  rigging  •  animation • post

MAYA • PHOTOSHOP • nuke

Dell TV spot • OFFICE OF DEVELOPMENT AND DESIGN

Onsite work in NYC


jbuds

Lead 3d • animation • Look dev • lighting • scene layout • camera • VFX • cleaned up CAD data • post

MAYA • PHOTOSHOP • AFTER EFFECTS

jlab web spot • GO3DVIZ

Remote work


viagra

Lead 3d • 3d modelling • look dev • lighting • post

MAYA • PHOTOSHOP • AFTER EFFECTS

THORNBERG AND FORESTER for pfizer - endtag

Onsite work in NYC.


FUEL BAND

Lead 3D •  3d Modeling  •  Animation  •  Post

MAYA   •  AFTER EFFECTS 

Nike web spot   •  INTERBRAND

I created the motion graphics/LED screen animation as well as the 3D and compositing  •  Onsite work in NYC


emfp

Lead 3D •  Postvis  •  camera  •  scene layout  • VFX animation  •  modeling  •  rigging  •  look dev  •  Lighting  •  Tracking  • CAD data cleanup • Post

MAYA  •  PFTRACK  •  Photoshop   •  AFTER EFFECTS

hp website content   •  TRANSISTOR

Onsite work in NYC


DER E-BRIEF

scene layout • modeling  •  render passes setup

Maya

DEUTSCHE POST TV SPOT •  PSYOP

Onsite work in NYC Despite being for the German market


video cave concept

Lead 3d   •  AI DIRECTOR   •  post

IMAGEN   •  KLING   •  REDSHIFT   •  CINEMA 4D   •  AFTER EFFECTS

BURNS AND MCDONNELL experiential   •  ASCEND STUDIOS

This is a test render for a project that was rendered at 12,000 pixel horizontal resolution, for display on the world’s first 360° LED video cave • Burns & McDonnell is a multi-billion dollar engineering and commercial architecture company with 13,000+ employees • Remote work


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theory of everything

Lead 3d • 3D Modeling  •  rigging  •  animation  •  look dev  •  lighting • design

MAYA • PHOTOSHOP

3d assets (realtime) •  PERSONAL

Original parody designs by me •  The un-subdivided base meshes are less than 100k polys, suitable for gaming


THEORY OF EVERYTHING

3D Modeling  •  rigging  •  animation  •  look dev  •  lighting  •  VFX  • editing   •  post   •  AI • design

MAYA  •  PHOTOSHOP  •  AFTER EFFECTS  • KLING AI

ANIMATED SHORT •  personal

The story is about psychology


Zoobles

Lead 3d • 3d modelling • look dev • lighting • rigging • animation

MAYA • PHOTOSHOP

nickelodeon TV spot • SUPERFAD

These assets were Polygon modeled and textured from scratch using the real toys as reference •  Onsite work in Seattle


times square waterfall

3D modelling • keyframe animation • look dev • lighting • CFX/VFX • post

MAYA • nuke • AFTER EFFECTS

tRANSISTOR STUDIOS for Zyrtec + Walgreens - times square Video advertising

This project was authored in various 4k+ resolutions for display on oddly shaped custom video billboards in Times Square NYC. The footage of the actual billboards was taken by me with an old Android phone, sorry about the quality. Onsite work in NYC.


yat labs NFTS

Look Development

MAYA • PHOTOSHOP • ARNOLD

NFTs • YAT LABS

Remote work


SHOOTING STAR

Lead 3d • 3d modeling  •  character rigging  •  animation  •  Look dev  •  lighting  •  layout  •  camera  •  dynamics

MAYA   •  pftrack  •  PHOTOSHOP  •  after effects

BAG RAIDERS MUSIC VIDEO  •  MODULAR RECORDS

This video became the basis of a hugely popular meme  •  The official Youtube upload has hit over 150 million views  •  Work was performed remote/onsite hybrid


PROJECT LONDON

design  •  modeling  •  look dev

MAYA  •  PHOTOSHOP  •  BLENDER

VFX FEATURE (Excerpt)  •  DIR. IAN HUBERT (YOUTUBE FAMOUS) + Spiral productions

Youtube viral phenom Ian Hubert's feature debut  •  This is a supercut of the most interesting shots featuring my work, which had 12 minutes of screen time in total- mostly as a virtual set  •  Remote work


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icarias restaurant

design  •  modeling  •  look dev

MAYA  •  PHOTOSHOP  •  BLENDER

VFX FEATURE hero asset  •  DIR. IAN HUBERT (YOUTUBE FAMOUS) + Spiral productions

Youtube viral phenom Ian Hubert's feature debut • This asset had 12 minutes of screen time in total- mostly as a virtual set • The interiors of the control room and restaurant are not modeled because live action video was composited in for shots of those areas • Remote work


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