Masters of the universe

3D Modeling

MAYA

mattel movie titles • PICTUREMILL

Remade the logo in 5 languages • Remote work

secret client

3d Modeling • look development

MAYA • VRAY • PHOTOSHOP

PROGRESSIVE + BARBIE MOVIE TV spot • BRICKYARD VFX

The set is entirely handcrafted 3d models and textures, based on 3d scans and photos from the Barbie Movie set • Remote work

BEAUTY AND THE BEAST 30th celebration

Lead 3D • 3D previz • 3d modeling • rigging • animation • look dev • lighting • cfx

MAYA • PHOTOSHOP • REDSHIFT

DISNEY + ABC tv special titles • BAKED STUDIOS

Broadcast on ABC and streamed on Disney+ This was the #1 TV show in the television ratings on it’s debut • I performed all 3D production tasks on the spot other than modeling the book cover details • Remote work

2010 honda cr-v

AI Director • Edit • color • post

NANO BANANA • VEO • PHOTOSHOP • AFTER EFFECTS • TOPAZ

ebay motors SPEC spot • Personal

I performed all production tasks • inspired by my work at Brand New School , where I helped out on a Honda spot using a real car composited into CGI environments

sundae driver

AI DIRECTOR • color • edit • post

meta ai • PHOTOSHOP • AFTER EFFECTS • TOPAZ

ai tools demo content • meta

The project was created as a demo of Meta’s AI tools, they were used for all the AI images, sound, and video • I was responsible for the creative  • I performed all production tasks • Remote work

its time for AEON

Look Dev • lighting • CAD • cleanup • rigging • animation • post

REDSHIFT • CINEMA 4D • AFTER EFFECTS

HEXAGON ROBOTICS WEB SPOT • ANIMUS STUDIOS

Remote work

AEON robot

CAD data cleanup • rigging • Look Dev • lighting

CINEMA 4D • REDSHIFT

HEXAGON ROBOTICS WEB SPOT look development • ANIMUS STUDIOS

Look Dev based on photos from client •  Remote work

hyper focus

Toon shading • animation • Look Development • lighting

MAYA • UNREAL

aston martin f1 car reveal video • UNIT9

F1 car 3D model and texture provided by client • Remote work

drive by wire

Lead 3D •  modeling  •  look dev  •  3d animation  •  3d tracking •  lighting   •  post

MAYA  •  PFTRACK  •  AFTER EFFECTS

INDYCAR SERIES BROADCAST graphics • TRANSISTOR STUDIOS 

These clips and other similar ones not used here were repurposed in many different configurations for broadcast and promotions • There were custom graphics made for each race on the calendar •  Onsite work in NYC

Simona De Silvestro indy 500 entry

Lead 3d • look development • lighting •  post

MAYA •  ARNOLD •  PHOTOSHOP

PARETTA autosport look development • SPARK + ASTER

Indycar model and texture provided by client • This render and other material using this asset was used to raise sponsorship and awareness for the team • In 2021 Paretta Autosport became the first woman owner and woman driver team to compete in the Indy 500 • The car did not race using this livery because they got major sponsorship that had their own branding • Remote work

women who roar

Lead 3d • look development • lighting •  post

MAYA •  ARNOLD •  PHOTOSHOP • AFTER EFFECTS

PARETTA autosport web spot • SPARK + ASTER

Indycar model and texture provided by client • This spot was used to raise sponsorship and awareness for the team • In 2021 Paretta Autosport became the first woman owner and woman driver team to compete in the Indy 500 • The car did not race using this livery because they got major sponsorship that had their own branding • Remote work

917 heritage

AI Director   •  Editor   •  Creator   •  post

GOOGLE FLOW   •  PHOTOSHOP   •  AFTER EFFECTS   •  TOPAZ

Porsche spec brand film • PERSONAL

This project was an experiment in vibe filmmaking within Google’s Flow AI ecosystem, with no references used •  I was mainly interested in simulating an LED wall with a car   •  As a former Porsche owner / car nerd, believe me I notice every inaccuracy here   •  For a real commercial project final frame render I would definitely use reference for each angle to ensure accuracy and consistency, but this is just about vibes and testing the workflow   •  I performed all production tasks

iw-01 : The unreal mobile

Lead 3d • Look Dev • lighting • Modeling • Rigging

UNREAL • MAYA

personal work

NOTE: Look Development test renders made in the Unreal Engine • 100% Polygon modeled by hand, I custom made all the UNREAL shaders on the car • I also designed the car • Stock background assets were used • This model is the basis for an AI animation, click to view it.

race car legends IW-01

3D LEAD   •  AI Director   •  Editor   •  Creator   •  post

UNREAL   •  MAYA   •  NANO BANANA   •  KLING   •  VEO   •  AFTER EFFECTS   •  TOPAZ

FAKE TV intro • PERSONAL

This project is based on a real 3-D model that I designed and built  •  I created the video using NANO BANANA and KLING 01 to style transfer video captures of me driving a “real” Lancia rally car in a simulator  •  VEO for the other shots  •  I performed all production tasks

TYLENOL 500

Lead 3d • 3d modeling • look development

MAYA

Johnson & johnson PRINT advertising • THE 3D AGENCY

This image was made at print resolution and used in multiple layouts, and repurposed for online also • Remote work

PRODUCT RENDErs

CAD data cleanup • look dev • lighting

CINEMA 4D • PHOTOSHOP • REDSHIFT

RYOBI ecommerce images •  TTI

Authored in 10k with texture detail that is literally microscopic at this size •  These renders are used in print, product packaging, and online marketing •  I created renders of multiple angles and exploded views for about 50 products on a multiple month contract •  Remote work

LINK system

CAD data cleanup • 3D Modeling • lighting • animation

CINEMA 4D • PHOTOSHOP • REDSHIFT • after effects

RYOBI web spot •  TTI

Remote work

mls on apple tv

3D Lead • AI Director • Edit • color • post

MAYA • VEO • KLING • NANO BANANA • PHOTOSHOP • FLUX • MESHY • AFTER EFFECTS • TOPAZ

apple tv spec spot • UNIT9

The statue was 3D modeled using MESHY AI and MAYA • The video of the statue is AI generated with KLING using AI style transfer of MAYA animated 3D previews, in order to maintain spatial coherency • I performed all production tasks • Remote work

base 360 BG video

AI Director • Edit • color • post

seedance • VEO • KLING • PHOTOSHOP • AFTER EFFECTS • TOPAZ

website video • direct to client

This videos was authored for display as a background video on a webpage • I created the final videos based on rough storyboards provided by client • It is supposed to be a evocative of an AI driven sales funnel • Remote work

XPS

Lead 3d • CAD data cleanup •  Look Development •  rigging  •  animation • post

MAYA • PHOTOSHOP • nuke

Dell TV spot • OFFICE OF DEVELOPMENT AND DESIGN

Onsite work in NYC

jbuds

Lead 3d • animation • Look dev • lighting • scene layout • camera • VFX • cleaned up CAD data • post

MAYA • PHOTOSHOP • AFTER EFFECTS

jlab web spot • GO3DVIZ

Remote work

ICE ROAD TRUCKERS

Lead 3d • modeled • look development

MAYA  •  Photoshop

Discovery channel episodic show assets •  GUERILLA ANIMATION

Replicating a specific truck used throughout the branding of the show, including all internal mechanical systems •  This model was used in animated segments of the TV show ice Road Truckers, re-enacting accidents and illustrating the mechanical function of systems •  I did not work on the animations •  Remote work

FUEL BAND

Lead 3D •  3d Modeling  •  Animation  •  Post

MAYA   •  AFTER EFFECTS 

Nike web spot   •  INTERBRAND

I created the motion graphics/LED screen animation as well as the 3D and compositing  •  Onsite work in NYC

emfp

Lead 3D •  Postvis  •  camera  •  scene layout  • VFX animation  •  modeling  •  rigging  •  look dev  •  Lighting  •  Tracking  • CAD data cleanup • Post

MAYA  •  PFTRACK  •  Photoshop   •  AFTER EFFECTS

hp website content   •  TRANSISTOR

Onsite work in NYC

DER E-BRIEF

scene layout • modeling  •  render passes setup

Maya

DEUTSCHE POST TV SPOT •  PSYOP

Onsite work in NYC Despite being for the German market

video cave concept

Lead 3d   •  AI DIRECTOR   •  post

IMAGEN   •  KLING   •  REDSHIFT   •  CINEMA 4D   •  AFTER EFFECTS

BURNS AND MCDONNELL experiential   •  ASCEND STUDIOS

This is a test render for a project that was rendered at 12,000 pixel horizontal resolution, for display on the world’s first 360° LED video cave • Burns & McDonnell is a multi-billion dollar engineering and commercial architecture company with 13,000+ employees • Remote work

theory of everything

Lead 3d • 3D Modeling  •  rigging  •  animation  •  look dev  •  lighting • design

MAYA • PHOTOSHOP

3d assets (realtime) •  PERSONAL

Original parody designs by me •  The un-subdivided base meshes are less than 100k polys, suitable for gaming

THEORY OF EVERYTHING

3D Modeling  •  rigging  •  animation  •  look dev  •  lighting  •  VFX  • editing   •  post   •  AI • design

MAYA  •  PHOTOSHOP  •  AFTER EFFECTS  • KLING AI

ANIMATED SHORT •  personal

The story is about psychology

battle of the sexes ii

3D LEAD   •  AI Director   •  Editor   •  Creator   •  post

PHOTOSHOP   •  AFTER EFFECTS   •  seedream   •  seedance   •  veo

anime VFX short •  personal

This project was based on a traditional 3d render that I made, edited and animated with AI  •  I performed all production tasks

toon TRUCK

Lead 3d   •  3d modeling   •  rigging   •  pose   •  look dev

MAYA   •  PHOTOSHOP   •  AFTER EFFECTS   •  seedance AI   •  Seedream AI

personal work

I made this project out of frustration with the character designs in Pixar's “Cars” • In my opinion, the front of a car already forms a face without putting eyes on the window • I performed all production tasks  •  I entirely 3D modeled this truck from scratch and used multiple 3D renders as references to create the consistent AI generations of the truck.

Zoobles

Lead 3d • 3d modelling • look dev • lighting • rigging • animation

MAYA • PHOTOSHOP

nickelodeon TV spot • SUPERFAD

These assets were Polygon modeled and textured from scratch using the real toys as reference •  Onsite work in Seattle

viagra

Lead 3d • 3d modelling • look dev • lighting • post

MAYA • PHOTOSHOP • AFTER EFFECTS

THORNBERG AND FORESTER for pfizer - endtag

Onsite work in NYC.

Armored cars

Lead 3d • cleanup of existing 3D assets •  look development •  rigging

MAYA •  ARNOLD

look development •  dsig

3D Assets provided by the client •  These are refurbished older-model military vehicles, nothing about them is classified or secret •  These assets were rigged and shaded to create exploded views and animations for web videos •  Remote work

times square waterfall

3D modelling • keyframe animation • look dev • lighting • CFX/VFX • post

MAYA • nuke • AFTER EFFECTS

tRANSISTOR STUDIOS for Zyrtec + Walgreens - times square Video advertising

This project was authored in various 4k+ resolutions for display on oddly shaped custom video billboards in Times Square NYC. The footage of the actual billboards was taken by me with an old Android phone, sorry about the quality. Onsite work in NYC.

SHOOTING STAR

Lead 3d • 3d modeling  •  character rigging  •  animation  •  Look dev  •  lighting  •  layout  •  camera  •  dynamics

MAYA   •  pftrack  •  PHOTOSHOP  •  after effects

BAG RAIDERS MUSIC VIDEO  •  MODULAR RECORDS

This video became the basis of a hugely popular meme  •  The official Youtube upload has hit over 150 million views  •  Work was performed remote/onsite hybrid

yat labs NFTS

Look Development

MAYA • PHOTOSHOP • ARNOLD

NFTs • YAT LABS

Remote work

PROJECT LONDON

design  •  modeling  •  look dev

MAYA  •  PHOTOSHOP  •  BLENDER

VFX FEATURE (Excerpt)  •  DIR. IAN HUBERT (YOUTUBE FAMOUS) + Spiral productions

Youtube viral phenom Ian Hubert's feature debut  •  This is a supercut of the most interesting shots featuring my work, which had 12 minutes of screen time in total- mostly as a virtual set  •  Remote work

icarias restaurant

design  •  modeling  •  look dev

MAYA  •  PHOTOSHOP  •  BLENDER

VFX FEATURE hero asset  •  DIR. IAN HUBERT (YOUTUBE FAMOUS) + Spiral productions

Youtube viral phenom Ian Hubert's feature debut • This asset had 12 minutes of screen time in total- mostly as a virtual set • The interiors of the control room and restaurant are not modeled because live action video was composited in for shots of those areas • Remote work