I was responsible for all AI Generation • Video Directing • Editing • Color • 3D • Post

Upshop "groceryshop las vegas" experiential

CLIENT: CREO COLLECTIVE (NYC)

ROLE: AI Director, Editor, Video and VFX: VEO, KLING, SEEDANCE. Still images: IMAGEN, NANO BANANA, PHOTOSHOP, and FLUX. Video editing, color correction, post, and motion graphics: AFTER EFFECTS.

NOTE: These videos were authored in 4k for display on 4 separate 10 foot tall screens as part of a Las Vegas trade show display for Upshop 360, an AI tool used to manage entire grocery store chains. The videos were also reformatted and used as promotions on social media. Remote work.

MIAMI MARLINS tvc opener

CLIENT: MOTION 504 (Minneapolis)

ROLE: I performed all production tasks. Stills: Dall-E, Stable Diffusion, Adobe Firefly, Meta Imagine, and Midjourney. Video: Pixverse Music: Suno Voice: Elevenlabs. Post: After Effects and Photoshop.

NOTE: I used the latest generative AI tools to creaqte a bumper used for various media products for the Miami Marlins baseball team. Remote work.

personal loops "second thoughts"

ROLE: Written, Directed, Art Directed, Edited by Ian Wilmoth. Stills: Whisk, Photoshop. Video: Sora and Pixverse AI. Edit color, and post VFX: AFTER EFFECTS

NOTE: This project incorporates a traditional 3d render I made, which I attempted to animate using AI. I want to clarify that the original render was not made using AI.

Lightning Workgroup web video content

CLIENT: DIRECT TO CLIENT

ROLE: AI prompting. Images with Google ImageFX, video and sound with Veo 3. Color correction, and post VFX: AFTER EFFECTS

NOTE: This content was used as the intro and as the background of bumpers for promotional web videos for a mobile/web development company. Remote work.

BURNS AND MCDONNELL video cave content

CLIENT: ASCEND STUDIOS (Orlando)

ROLE: Lead 3d and post artist. AI with Google IMAGEN stills and KLING video, I performed look dev and lighting using REDSHIFT in CINEMA 4D, 3d modeling rigging layout and animation with CINEMA 4D, post with AFTER EFFECTS. Remote work.

NOTE: This is a test render for a project that was rendered in 360° panoramic perspective at 12,000 pixel horizontal resolution split seamlessly between four 4k videos, for display on a fully immersive video cave at the headquarters of Burns & McDonnell, a multi-billion dollar engineering and commercial architecture company with 13,000+ employees.

personal animated SHORT "THEORY OF EVERYTHING"

ROLE: Director and solo creator. I performed all tasks in this project, including writing and design. I did 3d Modeling, rigging, animation, look dev, lighting and VFX using MAYA. 2D with PHOTOSHOP. Post with AFTER EFFECTS. AI with IMAGEN and KLING.

NOTE: The story is about psychology. This project involves compositing 3-D animation with AI generated video, which as far as I know was a world first in 2024.

upshop social media videos

CLIENT: CREO COLLECTIVE (NYC)

ROLE: AI Director, Editor, Video and VFX: VEO, KLING, SEEDANCE. Still images: IMAGEN, NANO BANANA, PHOTOSHOP, and FLUX. Video editing, color correction, post, and motion graphics: AFTER EFFECTS.

NOTE: These videos were used for social media posting by Upshop, a comprehensive suite of tools to manage a grocery store chain. Remote work.

personal episodic narrative "Neon Destruction"

ROLE: Writing, Direction, Art Direction, Editing. AI prompting, 3d animation, Compositing, VFX, Color

NOTE: Neon destruction was released weekly in early 2024, the story loosely revolving around the theme of Mechagodzilla attacking Neo Tokyo. Like the original Godzilla intellectual property, it investigates serious questions about society and human nature under the guise of low brow entertainment. But this time it's a bite-size parody made for people that grew up with the Internet.

All of the pictures and sound are initially generated with AI however, the film is edited together like a real movie and all of the sound effects and postproduction are added using the same workflows as live action VFX filmmaking.