where i forkoff

AI Director • Edit • color • post

NANO BANANA • VEO • PHOTOSHOP • AFTER EFFECTS • TOPAZ • suno

forkoff social media spots • GUSHER

I performed all production tasks • Creative directed by client • Remote work

battle of the sexes

AI Director • Edit • color • post

VEO • Kling • Seedance • Nano Banana • photoshop • After Effects

anime short • personal

This is just a fun project, which was mainly intended as a test of Seedance for generating anime style • The story is about psychology

battle of the sexes ii

3D LEAD   •  AI Director   •  Editor   •  Creator   •  post

PHOTOSHOP   •  AFTER EFFECTS   •  seedream   •  seedance   •  veo

anime VFX short •  personal work

This project was based on a traditional 3d render that I made, edited and animated with AI  •  I performed all production tasks

oswyn & smidge

AI Director • Creator • post

NANO BANANA • PHOTOSHOP • kling • VEO • AFTER EFFECTS • TOPAZ • SUNO • ELEVENLABS

animated short •  personal work

Any resemblance to real IP is strictly coincidental  •  I performed all production tasks

AI meme countdown

AI Director • Editor • Creator • post

PIXVERSE • NANO BANANA • PHOTOSHOP • AFTER EFFECTS • TOPAZ • SUNO • ELEVENLABS

vh1 series pitch •  personal work

This was created as part of a pitch for a TV show  •  I performed all production tasks

a knights tapestry

AI DIRECTOR • EDITOR • CREATOR • POST

NANO BANANA • VEO • kling • PHOTOSHOP • AFTER EFFECTS • TOPAZ • suno

movie parody • PERSONAL WORK

I performed all production tasks

Best Visual Effects

AI DIRECTOR • EDITOR • CREATOR • POST

NANO BANANA • VEO • PHOTOSHOP • AFTER EFFECTS • TOPAZ • suno

oscars broadcast parody • PERSONAL WORK

I performed all production tasks

reddit

AI DIRECTOR • EDITOR • CREATOR • POST

NANO BANANA • VEO • PHOTOSHOP • AFTER EFFECTS • TOPAZ • suno

sHORT dramedy • PERSONAL WORK

Inspired by a real Reddit discussion • I performed all production tasks

toon TRUCK

Lead 3d   •  3d modeling   •  rigging   •  pose   •  look dev

MAYA   •  PHOTOSHOP   •  AFTER EFFECTS   •  seedance AI   •  Seedream AI

personal work

I made this project out of frustration with the character designs in Pixar's “Cars” • In my opinion, the front of a car already forms a face without putting eyes on the window • I performed all production tasks  •  I entirely 3D modeled this truck from scratch and used multiple 3D renders as references to create the consistent AI generations of the truck.

WIND IN THE WILLOWS

Lead 3D •  modelling • animation • look dev • lighting • CFX/VFX • AI • post 

MAYA   •  ZBRUSH  •  PFTRACK  •  AFTER EFFECTS  •  PHOTOSHOP •  vray • kling

FEATURE PITCH  •  Jonathan watts (spiderman director)

This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel   •  Some of the shots use 3-D composited into live action and other shots use AI • Remote work

kafka vs. Shakespeare

AI Director   •  Editor   •  Creator   •  post

WHISK   •  NANO BANANA   •  VEO   •  SUNO   •  HUME   •  TOPAZ

animated micro short • personal work

What if Kafka directed a film adaptation of Shakespeare's sonnet 18? I performed all production tasks

race car legends IW-01

3D LEAD   •  AI Director   •  Editor   •  Creator   •  post

UNREAL   •  MAYA   •  NANO BANANA   •  KLING   •  VEO   •  AFTER EFFECTS   •  TOPAZ

FAKE TV intro • PERSONAL WORK

This project is based on a real 3-D model that I designed and built  •  I created the video using NANO BANANA and KLING 01 to style transfer video captures of me driving a “real” Lancia rally car in a simulator  •  VEO for the other shots  •  I performed all production tasks

iw-01 : The unreal mobile

Lead 3d • Look Dev • lighting • Modeling • Rigging

UNREAL • MAYA

personal work

NOTE: Look Development test renders made in the Unreal Engine • 100% Polygon modeled by hand, I custom made all the UNREAL shaders on the car • I also designed the car • Stock background assets were used • This model is the basis for an AI animation, click to view it.

assembly required

AI Director • Edit • color • post

NANO BANANA • VEO • Suno • PHOTOSHOP • AFTER EFFECTS • TOPAZ

ikea ad parody • personal

What if they had Ikea during the Baroque age? • It's so fun to work with AI, unlocking numerous project ideas that would have remained dormant with prior workflow limitations • The AI handled the part of this that would have been a difficult visual effect before • However, I still had to create the text overlays and position + animate them by hand • I performed all production tasks

Neon Destruction

AI Director • Editor • Creator • 3d • post

PIXVERSE • KLING • LUMA • MINMAX • VEO • SORA • GOOGLE IMAGEN • FLUX KONTEXT • PHOTOSHOP • AFTER EFFECTS • MAYA • SUNO • ELEVENLABS

Episodic trailer •  personal work

Trailer for Neon Destruction season 1  •  Neon destruction is a Sci-Fi animated series that was released in 10 weekly mini-webisodes in early 2024  •  It investigates serious questions about society and human nature under the guise of low brow entertainment  •  The editing and post uses traditional live action/VFX filmmaking techniques  •  The show is aimed at Autistic 13-17 year olds  •  The AI Slopera is a new genre which I invented for this project  •  The narrative embraces the chaos and sloppiness of early AI video generations as a punk rock Lo Fi experiment  •  I performed all production tasks

futurama

3d modeling • look dev

MAYA • PHOTOSHOP

hulu episodic • ROUGH DRAFT STUDIO

This is the trailer for the season I worked on, when the show was rebooted on Hulu • Made by Matt Groenig, the creator of The Simpsons • I made 3-D assets and texture maps for characters, vehicles, and environments, but I did not work directly on the episodes • Onsite work in LA

DISENCHANTMENT

3D previz • 3d modeling • rigging • animation • look dev • lighting • post

MAYA • PHOTOSHOP • vray • TOONZ • AFTER EFFECTS

NETFLIX episodic • ROUGH DRAFT STUDIOS

Made by Matt Groenig, the creator of Futurama and The Simpsons • I integrated 3D assets into 2D animated scenes, and integrated 2D animated characters into 3D scenes, all made by other artists. Lighting the shots and adjusting shaders. 3D character animation, 3d and 2d Camera animation. Background and environment asset 3d modeling and Look Dev. Final frame compositing, 2D VFX integration • Onsite work in LA

StRAYS

3D postviz • modeling • rigging • animation • look dev • lighting • vfx • post

MAYA • PHOTOSHOP • after effects

Universal pictures VFX FEATURE • TECHNICOLOR

Many shots I postvisualized are in the trailer 1:35 to 2:10 including the poster frame • Remote work

SECRET CLIENT

3d modeling • look dev • lighting

MAYA • PHOTOSHOP • REDSHIFT

PROGRESSIVE + BARBIE MOVIE TV spot • BRICKYARD VFX

The set is entirely handcrafted 3d models and textures, based on 3d scans and photos from the Barbie Movie set • Remote work

NORTH AMERICAN SCUM

Lead 3d • on-set VFX supervisor • post

AFTER EFFECTS • MAYA

LCD SOUNDSYSTEM Music Video • EMI RECORDS

Onsite work in NYC

HOLIDAY HARMONY

previs • scene layout • camera • rigging • animation • CFX

MAYA

MICROSOFT TV spot • MPC (now The Mill)

Onsite work in NYC

KIDS

Lead 3d • modeling • 3d VFX • look dev •  lighting •  post

MAYA • PFTRACK • AFTER EFFECTS • PHOTOSHOP

MGMT MUSIC VIDEO • PARTIZAN

This song became a certified Platinum hit, the video went viral and has over 200 million views on Youtube • I did invisible VFX to fix issues on 20 live action shots • EG In the poster frame there is a BG replacement because the band was just in the backyard of a house • Onsite work in NYC

BABY

Lead 3d • modeling • riging • animation  • lighting   •  look dev   •  cfx

MAYA • PHOTOSHOP • AFTER EFFECTS

DEVENDRA BANHART MUSIC VIDEO • LOOSEWORLD

Onsite work in NYC

SHOOTING STAR

Lead 3d • 3d modeling  •  character rigging  •  animation  •  Look dev  •  lighting  •  layout  •  camera  •  dynamics

MAYA   •  pftrack  •  PHOTOSHOP  •  after effects

BAG RAIDERS MUSIC VIDEO  •  MODULAR RECORDS

This video became the basis of a hugely popular meme  •  The official Youtube upload has hit over 150 million views  •  Work was performed remote/onsite hybrid in NYC

SWITCHING

3d previs  •  camera animation  •  post

MAYA  •  AFTER EFFECTS

BRITISH GAS TV SPOT  •  HORNET

Onsite work in NYC despite being for the British market

DATING NAKED

Lead 3d •  Previs  •  camera  •  layout  •  animation  •  modeling   •  rigging  •  look dev  •  post

PHOTOSHOP  •  MAYA  •  ARNOLD •  NUKE

VH1 TV SPOT  •  THE ARTERY

Onsite work in NYC

Gold Ambush

Lead 3d • 3D previz • modeling • rigging • animation • look dev • lighting • vfx • POST

MAYA • PHOTOSHOP • after effects

kevin hart video game trailer •  NBTV

Adapted video game assets for use in a commercial  •  Remote work

diamond

3D VFX   •  Editing   •  post

MAYA  •  AFTER EFFECTS

priestbird music video • KEMADO RECORDS

Remote work

BUBBLE Trubble

Lead 3D •  cFX   •  Modeling  •  rigging  •  look dev  •  lighting  •  animation  •  post

MAYA  •  PHOTOSHOP  •  AFTER EFFECTS

VFX FEATURE trailer  • GMD three

NOTE: I worked on the shots used in the trailer as proof of concept, and edited the trailer, but the film was never finished because of budget problems  •  Virtual prosthetics I made were going to be used in over 100 VFX shots  •  Onsite work in NYC

huge holiday

3d modeling  •  rigging  •  layout  •  previz  •  post  •  editing

MAYA  •  AFTER EFFECTS

spec spot • ideamachine studios

Onsite work in NYC

french dog blues

3d modeling  •  rigging  •  animation  •  layout  •  post  •  look dev

MAYA  •  AFTER EFFECTS  •  photoshop

babyshambles music video  •  EMI RECORDS

Remote work

white light

Lead 3D •  Previs  •  Modeling  •  Look Dev  •  Animation  •  VFX  •  post

MAYA  •  PFTRACK  •  AFTER EFFECTS

supersystem music video  •  TOUCH AND GO RECORDS

Onsite work in NYC

sprite sublymonals

Lead 3D •  modelling   •  animation  •  look dev  •  CFX  •  post

MAYA  •  AFTER EFFECTS  •  PHOTOSHOP

web spots  •  CRISPIN PORTER & BOGUSKY

These clips were made for an advanced flash website that's allowed users to interact with numerous multimedia components in an alternate reality game, but ultimately it was an advertisement for Sprite  •  Remote work

Minyanville

Lead 3D • modeling • Sculpting • look dev • rigged • lighting • Animation

MAYA • ZBRUSH • PHOTOSHOP

episodic assets • fox business

These characters hosted the “Minyanville” TV show on FOXBusiness that ran for over 1000 weekly episodes •  I created this animation by hand for the show’s pitch, including the lip sync, but motion capture animation was used for the TV episodes and I was not involved in the series production •  Remote work

theory of everything

Lead 3d • 3D Modeling  •  rigging  •  animation  •  look dev  •  lighting • design

MAYA • PHOTOSHOP

3d assets (realtime) •  PERSONAL

Original parody designs by me •  The un-subdivided base meshes are less than 100k polys, suitable for gaming