These videos were authored for display on 20 foot tall screens at the Healthcare Information and Management Systems Society conference in Vegas, attended by over 30,000 healthcare professionals • Each video played simultaneously on a different screen • I created the final videos based on rough storyboards provided by client • Remote work
This project combines live action, CGI VFX, and AI video generation and post • I created the final video based on storyboards + footage provided by client • Babolat is the oldest racquet sports company in the world, founded 1875 • Remote work
I performed all production tasks • Creative directed by client • Remote work
The statue was 3D modeled using MESHY AI and MAYA • The video is AI generated with KLING using AI style transfer of MAYA animated 3-D preview renders based on NANO BANANA style transfer of MAYA preview stills • I performed all production tasks • Remote work
The project was created as a demo of Meta’s AI tools, they were used for all the AI images, sound, and video • I was responsible for the creative • I performed all production tasks • Remote work
I performed all production tasks • inspired by my work at Brand New School , where I helped out on a Honda spot using a real car composited into CGI environments
Any resemblance to real IP is strictly coincidental • I performed all production tasks
I performed all production tasks
I performed all production tasks
Inspired by a real Reddit discussion • I performed all production tasks
These videos were authored for display on 10 foot tall screens at the Groceryshop trade conference in Vegas • Each video played simultaneously on a different screen • Upshop is a comprehensive suite of AI tools to manage a grocery store chain • Creative directed by client • Remote work
Matching AI to live action product shots • Nothing Bundt Cakes is the largest cake bakery franchise in the US with 600+ locations • Creative directed by client • Remote work
This is a test render for a project that was rendered at 12,000 pixel horizontal resolution, for display on the world’s first 360° LED video cave • Burns & McDonnell is a multi-billion dollar engineering and commercial architecture company with 13,000+ employees • Creative directed by client • Remote work
The Dr Everything IP was created by Mike Webber • I performed all production tasks based on a rough storyboard by Mike
The project was a studio promo animated short intended to achieve Western CGI production values for the Vietnamese local market • It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background • This was a vast time savings because the single frame took an hour to render • I performed all production tasks • Remote work
I was inspired to do this by my work on a pitch for a 3-D VFX film version of Wind in the Willows, that was made for Spiderman franchise director Jon Watts using traditional CGI • This literally took hours instead of weeks for the pitch that we made back in the day, which was also not nearly as dynamic • I performed all production tasks • Remote work
This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel • Some of the shots use 3-D composited into live action and other shots use AI • Remote work
What if Kafka directed a film adaptation of Shakespeare's sonnet 18? I performed all production tasks
This is the third version of this project, using the same basic imagery, but regenerating it with the latest technology to improve the visual quality • The idea is that AI is coming to save us instead of kill us • The original images were generated in 2022 with locally run Stable Diffusion • I have continued to use the original primitive generations as the style reference for the subsequent versions • Creating twin characters whenever the frame has a horizontal aspect ratio was a very common error with the early AI, but I decided to run with it and make it be a motif in the piece • I performed all production tasks
This project was an experiment in vibe filmmaking within Google’s Flow AI ecosystem, with no references used • I was mainly interested in simulating an LED wall with a car • As a former Porsche owner / car nerd, believe me I notice every inaccuracy here • For a real commercial project final frame render I would definitely use reference for each angle to ensure accuracy and consistency, but this is just about vibes and testing the workflow • I performed all production tasks
This is 100% really going to happen • I made this in 2025. Kawasaki announced a quadruped sports robot in Jan 2026 • I performed all production tasks
This project is based on a real 3-D model that I designed and built • I created the video using NANO BANANA and KLING 01 to style transfer video captures of me driving a “real” Lancia rally car in a simulator • VEO for the other shots • I performed all production tasks
I used the latest generative AI tools to create a bumper used for various media products for the Miami Marlins baseball team • I performed all production tasks • Creative directed by client • Remote work
Self promotion spot for the studio • I performed all production tasks • Remote work
This content was used as the intro and as the background of bumpers for promotional web videos for a mobile/web development company • I performed all production tasks • Creative directed by client • Remote work
What if they had Ikea during the Baroque age? • It's so fun to work with AI, unlocking numerous project ideas that would have remained dormant with prior workflow limitations • The AI handled the part of this that would have been a difficult visual effect before • However, I still had to create the text overlays and position + animate them by hand • I performed all production tasks
I made this project out of frustration with the character designs in Pixar's “Cars” • In my opinion, the front of a car already forms a face without putting eyes on the window • I performed all production tasks • Using a MAYA 3D render I made as the start frame, I entirely 3D modeled this truck from scratch
The story is about psychology • This project involves compositing 3-D animation with AI generated video, which as far as I know was a world first in 2024 • I performed all production tasks
This project was based on a traditional 3d render that I made, edited and animated with AI • I performed all production tasks
Tip of the hat to MC Escher for the design inspiration • I performed all production tasks
This was created as part of a pitch for a TV show • I performed all production tasks
The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic • The voice over text is by Alan Watts • Any resemblance to real people is strictly coincidental • I performed all production tasks
This video combines three clips that were made to be posted as vertical videos on social media • In addition to my usual roles I was responsible for the sound, motion graphics, and edit on this project • The client requested having Sora watermarks to hop on the current trend of Sora meme videos • I performed all production tasks • Remote work
In addition to my usual roles I was responsible for the sound, motion graphics, and live action edit on this project • The live action footage was provided by the client • Creative directed by client • Remote work
Any resemblance to real people is strictly coincidental
Any resemblance to real people is strictly coincidental
Any resemblance to real people is strictly coincidental
Trailer for Neon Destruction season 1 • Neon destruction is a Sci-Fi animated series that was released in 10 weekly mini-webisodes in early 2024 • It investigates serious questions about society and human nature under the guise of low brow entertainment • The editing and post uses traditional live action/VFX filmmaking techniques • The show is aimed at Autistic 13-17 year olds • The AI Slopera is a new genre which I invented for this project • The narrative embraces the chaos and sloppiness of early AI video generations as a punk rock Lo Fi experiment • I performed all production tasks