I was responsible for all AI Generation • Video Directing • Editing • Color • 3D • Post. These are commercial projects or demonstrations of viable commercial techniques.
CLIENT: BRAND NEW SCHOOL (NYC)
ROLE: AI director. Prompting Images with NANO BANANA, Video and sound with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ. Remote work.
NOTE: Art Direction was provided by the client via detailed style frames.
CLIENT: UNIT9 (LA)
ROLE: 3D Lead. MAYA 3d. Character rigging, keyframe animation, Look dev/lighting, scene layout, camera. AI Director. AI VIDEO: VEO Still images: NANO BANANA, PHOTOSHOP, and FLUX. AI 3D: MESHY Video editing, color correction, post, and motion graphics: AFTER EFFECTS, TOPAZ.
NOTES: The statue was 3D modeled using MESHY AI and MAYA but all the video is AI generated with VEO using AI style transfer in NANO BANANA to do the still image lighting and surfacing
CLIENT: GUSHER (LA)
ROLE: AI director. Images with NANO BANANA, Video and sound with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ.
CLIENT: PERSONAL PROJECT
ROLE: AI Director. Images with NANO BANANA, Video and sound with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ.
NOTE: This is 100% really going to happen. I made this in 2025. Kawasaki announced a quadruped sports robot in Jan 2026.
CLIENT: PERSONAL PROJECT
ROLE: 3d Lead and AI Director. Look Dev and lighting using UNREAL. Modeling and Rigging in MAYA. Video with NANO BANANA, KLING and VEO. Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ.
NOTE: This project is based on a real 3-D model that I designed and built. I created the video using NANO BANANA and KLING 01 to style transfer video captures of me driving a “real” Lancia rally car in a simulator, and VEO for the other shots.
CLIENT: FIRST FIGHT (Detroit)
ROLE: AI Director. AI VIDEO: VEO Still images: NANO BANANA, PHOTOSHOP, and FLUX. Video editing, color correction, post, and motion graphics: AFTER EFFECTS, TOPAZ. Matching AI footage of people to existing product shots. Consistent Products and people., shots with continuity
NOTE: Nothing Bundt Cakes is the largest cake bakery franchise in the US with 600+ locations. Remote work.
CLIENT: RANCHWORX (Florida)
ROLE: AI director. Images with NANO BANANA, Video with SORA. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS. Sound with SUNO and ELEVENLABS
NOTE: This video combines three clips that were made to be posted as vertical videos on social media. In addition to my usual roles I was responsible for the sound, motion graphics, and edit on this project. The client requested having Sora watermarks to hop on the current trend of Sora meme videos.
CLIENT: RANCHWORX (Florida)
ROLE: AI director. Images with NANO BANANA, Video with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS. Sound with SUNO and ELEVENLABS
NOTE: In addition to my usual roles I was responsible for the sound, motion graphics, and live action edit on this project. The live action footage was provided by the client. Direct to client remote work.
CLIENT: CREO COLLECTIVE (NYC)
ROLE: AI Director, Editor, VFX using VEO, Kling, Seedance for video, Imagen, Nano Banana, and Flux for still images, After Effects for editing, color correction, and motion graphics. Remote work.
NOTE: These videos were authored for display on 10 foot tall screens. Each video played simultaneously on a different screen as part of a trade show display for Upshop, a comprehensive suite of tools to manage a grocery store chaiin.
CLIENT: MOTION 504 (Minneapolis)
ROLE: I performed all production tasks. Stills: DALL-E, STABLE DIFFUSION, ADOBE FIREFLY, IMAGEN, MIDJOURNEY. Video: PIXVERSE Music: SUNO Voice: ELEVENLABS. Post: AFTER EFFECTS, PHOTOSHOP, TOPAZ
NOTE: I used the latest generative AI tools to create a bumper used for various media products for the Miami Marlins baseball team. Remote work.
CLIENT: CREO COLLECTIVE (NYC)
ROLE: AI Director. AI VIDEO: VEO Still images: NANO BANANA, PHOTOSHOP, and FLUX. Video editing, color correction, post, and motion graphics: AFTER EFFECTS, TOPAZ.
NOTE: Self promotion spot for the studio. Direct to client remote work.
CLIENT: LIGHTNING WORKGROUP (Detroit)
ROLE: AI Director. Images with IMAGEN, video and sound with VEO. Color correction, and post VFX: AFTER EFFECTS
NOTE: This content was used as the intro and as the background of bumpers for promotional web videos for a mobile/web development company. Direct to client. Remote work.
CLIENT: PERSONAL PROJECT
ROLE: AI Director. Stills with WHISK, FLUX, PHOTOSHOP Video using VEO, KLING, PIXVERSE, AFTER EFFECTS. Sound made with SUNO, HUME, ELEVENLABS. Upscale with TOPAZ.
NOTE: This was created as part of a pitch for a TV show.
CLIENT: PERSONAL PROJECT
ROLE: AI images using WHISK and NANO BANANA, video using VEO. Music made with SUNO, voice with HUME. Upscale and post with TOPAZ.
NOTE: What if Kafka directed a film adaptation of Shakespeare's sonnet 18?
CLIENT: PERSONAL PROJECT
ROLE: AI stills with WHISK, video using PIXVERSE. Sound made with SUNO. Upscale and post with TOPAZ.
CLIENT: ASCEND STUDIOS (Orlando)
ROLE: Lead 3d and post artist. AI with Google IMAGEN stills and KLING video, I performed look dev and lighting using REDSHIFT in CINEMA 4D, 3d modeling rigging layout and animation with CINEMA 4D, post with AFTER EFFECTS. Remote work.
NOTE: This is a test render for a project that was rendered in 360° panoramic perspective at 12,000 pixel horizontal resolution split seamlessly between four 4k videos, for display on the world’s first 360 LED video wall room, at the headquarters of Burns & McDonnell, a multi-billion dollar engineering and commercial architecture company with 13,000+ employees.
CLIENT: PERSONAL PROJECT
ROLE: All production and design tasks using MAYA, PHOTOSHOP, and AFTER EFFECTS. I entirely 3D modeled this truck from scratch. Animated with KLING AI using a MAYA 3D render I made as the start frame.
NOTE: I made this project out of frustration with the character designs in Pixar's “Cars”. In my opinion, the front of a car already forms a face without putting eyes on the window..
I was responsible for all Design • AI Generation • Video Directing • Editing • Color • 3D • Post
CLIENT: PERSONAL PROJECT
ROLE: AI Director, Editor. Video: PIXVERSE. Still images: STABLE DIFFUSION, FLUX KONTEXT, PHOTOSHOP. Video color correction, post: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS
NOTE: This is the third version of this project, using the same basic imagery, but regenerating it with the latest technology to improve the visual quality. The idea is that AI is coming to save us instead of kill us. The original images were generated in 2022 with locally run Stable Diffusion. I have continued to use the original primitive generations as the style reference for the subsequent versions. Creating twin characters whenever the frame has a horizontal aspect ratio was a very common error with the early AI, but I decided to run with it and make it be a motif in the piece.
CLIENT: PERSONAL PROJECT
ROLE: AI Director and 3d Lead, Creator. I performed all tasks in this project, including writing and design. I did 3d Modeling, rigging, animation, look dev, lighting and VFX using MAYA. 2D with PHOTOSHOP. Post with AFTER EFFECTS. AI with IMAGEN and KLING.
NOTE: The story is about psychology. This project involves compositing 3-D animation with AI generated video, which as far as I know was a world first in 2024.
CLIENT: PERSONAL PROJECT
ROLE: AI Director and 3d Lead, Creator. I performed all modeling, rigging, VFX using MAYA, textures with PHOTOSHOP, and compositing with AFTER EFFECTS. AI with NANO BANANA and VEO
NOTE: This project was based on a traditional 3d render that I made, edited and animated with AI
CLIENT: PERSONAL PROJECT
ROLE: AI director. Stills with WHISK, FLUX video using PIXVERSE, SEEDANCE, VEO, KLING. Sound made with SUNO. Upscale and post with TOPAZ.
NOTE: The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic. The voice over text is by Alan Watts.
CLIENT: PERSONAL PROJECT
ROLE: AI Director, 3D Lead. 3D and post using MAYA and AFTER EFFECTS. AI video using VEO. Sound made with SUNO. Upscale and post with TOPAZ.
NOTE: This video was made in 2025 using AI to animate 3d still renders I created 2020-2021.
CLIENT: PERSONAL PROJECT
ROLE: AI Director. 3D and post using MAYA and AFTER EFFECTS. AI video using VEO. Sound made with SUNO. Upscale and post with TOPAZ.
NOTE: These videos were made in 2025 using AI to edit and animate 3d still renders I created 2020-2021. The big development is that AI makes forward motion possible in a much more dynamic way.
CLIENT: PERSONAL PROJECT
ROLE: AI Director, Creator. Stills: WHISK, FLUX, PHOTOSHOP. Video: SORA and PIXVERSE AI. Edit color, and post VFX: AFTER EFFECTS, TOPAZ.
NOTE: https://www.ianwilmoth.tv/3dassets#clay-bust-still this 3D render is used as the starting frame for one of the AI generations, it was made by hand.
CLIENT: PERSONAL PROJECT
ROLE: AI Director, Creator. Stills: WHISK, FLUX, PHOTOSHOP. Video: SORA and PIXVERSE AI. Edit color, and post VFX: AFTER EFFECTS, TOPAZ.
CLIENT: PERSONAL PROJECT
ROLE: AI Director, Creator, 3D, Post, VFX. Video: PIXVERSE., KLING, LUMA, MINMAX, VEO, SORA Still images: GOOGLE IMAGEN, FLUX KONTEXT, PHOTOSHOP. Video color correction, post: AFTER EFFECTS. 3D: MAYA Sound: SUNO and ELEVENLABS
NOTE: Trailer for Neon Destruction season 1. Neon destruction is a Sci-Fi animated series that was released in 10 weekly mini-webisodes in early 2024. It investigates serious questions about society and human nature under the guise of low brow entertainment. The editing and post uses traditional live action/VFX filmmaking techniques. The show is aimed at Autistic 13-17 year olds. The AI Slopera is a new genre which I invented for this project. The narrative embraces the chaos and sloppiness of early AI video generations as a punk rock Lo Fi experiment
