I was responsible for all AI Generation • Video Directing • Editing • Color • 3D • Post. These are commercial projects or demonstrations of viable commercial techniques. Any resemblance to real people living or dead is purely coincidental.

ebay motors "2010 honda cr-v" spec spot

CLIENT: BRAND NEW SCHOOL (NYC)

ROLE: AI director. Prompting Images with NANO BANANA, Video and sound with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ. Remote work.

NOTE: Art Direction was provided by the client via detailed style frames.

apple "mls on apple tv" spec spot

CLIENT: UNIT9  (LA)

ROLE: 3D Lead. MAYA 3d. Character rigging, keyframe animation, Look dev/lighting, scene layout, camera. AI Director. AI VIDEO: VEO Still images: NANO BANANA, PHOTOSHOP, and FLUX. AI 3D: MESHY Video editing, color correction, post, and motion graphics: AFTER EFFECTS, TOPAZ. Remote work.

NOTES: The statue was 3D modeled using MESHY AI and MAYA but all the video is AI generated with VEO using AI style transfer in NANO BANANA to do the still image lighting and surfacing

forkoff "where i forkoff" social media spot

CLIENT: GUSHER (LA)

ROLE: AI director. Images with NANO BANANA, Video and sound with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ. Remote work.

Upshop "groceryshop las vegas" experiential

CLIENT: CREO COLLECTIVE (NYC)

ROLE: AI Director, Editor, VFX using VEO, Kling, Seedance for video, Imagen, Nano Banana, and Flux for still images, After Effects for editing, color correction, and motion graphics. Remote work.

NOTE: These videos were authored for display on 10 foot tall screens. Each video played simultaneously on a different screen as part of a trade show display for Upshop, a comprehensive suite of tools to manage a grocery store chaiin.

pixelsgarden "Bon Bon" Studio promo film

CLIENT: PIXELSGARDEN (Vietnam)

ROLE: 3D and AI Lead. I performed all 3d production and 2D post tasks using MAYA , PHOTOSHOP, and AFTER EFFECTS. AI with NANO BANANA and KLING 01. Sound with ELEVENLABS and SUNO. Remote work.

NOTE: The project was a studio promo animated short intended to achieve Western CGI production values for the local market. It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background. This was a vast time savings because the single frame took an hour to render.

personal project "mr. toad"

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Editor. Video: PIXVERSE Still images: NANO BANANA, PHOTOSHOP. Video color correction, post: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS

NOTE: I was inspired to do this by my work on a pitch for a 3-D VFX film version of Wind in the Willows, that was made for Spiderman franchise director Jon Watts using traditional CGI. This literally took hours instead of weeks for the pitch that we made back in the day, which was also not nearly as dynamic.

Personal SHORT "kafka vs. Shakespeare"

CLIENT: PERSONAL PROJECT

ROLE: AI images using WHISK and NANO BANANA, video using VEO. Music made with SUNO, voice with HUME. Upscale and post with TOPAZ.

NOTE: What if Kafka directed a film adaptation of Shakespeare's sonnet 18?

NOTHING BUNDT CAKES "Bundtember" WEB SPOT

CLIENT: FIRST FIGHT (Detroit)

ROLE: AI Director. AI VIDEO: VEO Still images: NANO BANANA, PHOTOSHOP, and FLUX. Video editing, color correction, post, and motion graphics: AFTER EFFECTS, TOPAZ. Matching AI footage of people to existing product shots. Consistent Products and people., shots with continuity. Remote work.

NOTE: Nothing Bundt Cakes is the largest cake bakery franchise in the US with 600+ locations.

personal work "AI angels 3.0" VFX loop

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Editor. Video: PIXVERSE. Still images: STABLE DIFFUSION, FLUX KONTEXT, PHOTOSHOP. Video color correction, post: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS

NOTE: This is the third version of this project, using the same basic imagery, but regenerating it with the latest technology to improve the visual quality. The idea is that AI is coming to save us instead of kill us. The original images were generated in 2022 with locally run Stable Diffusion. I have continued to use the original primitive generations as the style reference for the subsequent versions. Creating twin characters whenever the frame has a horizontal aspect ratio was a very common error with the early AI, but I decided to run with it and make it be a motif in the piece.

personal work "second thoughts 4" VFX loops

noelle

Jessika

Tia

Marisa (featuring Inessa and Aurora)

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Creator. Stills: WHISK, NANO BANANA, FLUX, PHOTOSHOP. Video: SORA, VEO, and PIXVERSE AI. Edit color, and post VFX: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS

BURNS AND MCDONNELL video cave concept

CLIENT: ASCEND STUDIOS (Orlando)

ROLE: Lead 3d and post artist. AI with Google IMAGEN stills and KLING video, I performed look dev and lighting using REDSHIFT in CINEMA 4D, 3d modeling rigging layout and animation with CINEMA 4D, post with AFTER EFFECTS. Remote work.

NOTE: This is a test render for a project that was rendered in 360° panoramic perspective at 12,000 pixel horizontal resolution split seamlessly between four 4k videos, for display on the world’s first 360 LED video wall room, at the headquarters of Burns & McDonnell, a multi-billion dollar engineering and commercial architecture company with 13,000+ employees.

Porsche "917 heritage" spec brand film

CLIENT: PERSONAL PROJECT

ROLE: AI Director. Images video and sound with GOOGLE FLOW. Image editing with PHOTOSHOP Video Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ.

NOTE: This project was an experiment in 100% vibe filmmaking and AI editing capability within Google’s Flow AI ecosystem. with no real photo references used at any stage. I was mainly interested in simulating an LED wall with a car. As a former Porsche owner / car nerd, believe me I notice every inaccuracy here. For a real commerctial project final frame render I would definitely use reference for each angle to ensure accuracy and consistency, but this is just about vibes.

personal work "Fourleg MX" fake TV spot

CLIENT: PERSONAL PROJECT

ROLE: AI Director. Images with NANO BANANA, Video and sound with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ.

NOTE: This is 100% really going to happen. I made this in 2025. Kawasaki announced a quadruped sports robot in Jan 2026.

personal work "race car legends" FAKE TV intro

CLIENT: PERSONAL PROJECT

ROLE: 3d Lead and AI Director. Look Dev and lighting using UNREAL. Modeling and Rigging in MAYA. Video with NANO BANANA, KLING and VEO. Editing, Color, and Post VFX: AFTER EFFECTS, TOPAZ.

NOTE: This project is based on a real 3-D model that I designed and built. I created the video using NANO BANANA and KLING 01 to style transfer video captures of me driving a “real” Lancia rally car in a simulator, and VEO for the other shots.

personal work "second thoughts 3" VFX Micro-shorts

Dierdre

suzanne

Siera

Karla

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Creator. Stills: WHISK, NANO BANANA, FLUX, PHOTOSHOP. Video: SORA, VEO, and PIXVERSE AI. Edit color, and post VFX: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS

MIAMI MARLINS tvc opener

CLIENT: MOTION 504 (Minneapolis)

ROLE: I performed all production tasks. Stills: DALL-E, STABLE DIFFUSION, ADOBE FIREFLY, IMAGEN, MIDJOURNEY. Video: PIXVERSE Music: SUNO Voice: ELEVENLABS. Post: AFTER EFFECTS, PHOTOSHOP, TOPAZ. Remote work.

NOTE: I used the latest generative AI tools to create a bumper used for various media products for the Miami Marlins baseball team.

creo collective "the office" studio promo

CLIENT: CREO COLLECTIVE (NYC)

ROLE: AI Director. AI VIDEO: VEO Still images: NANO BANANA, PHOTOSHOP, and FLUX. Video editing, color correction, post, and motion graphics: AFTER EFFECTS, TOPAZ. Remote work.

NOTE: Self promotion spot for the studio.

Lightning Workgroup web video content

CLIENT: LIGHTNING WORKGROUP (Detroit)

ROLE: AI Director. Images with IMAGEN, video and sound with VEO. Color correction, and post VFX: AFTER EFFECTS. Remote work.

NOTE: This content was used as the intro and as the background of bumpers for promotional web videos for a mobile/web development company. Direct to client.

personal work "second thoughts 2" VFX Micro-shorts

Natalie

Rachel

Emily

Maia

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Creator. Stills: WHISK, NANO BANANA, FLUX, PHOTOSHOP. Video: SORA, VEO, and PIXVERSE AI. Edit color, and post VFX: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS

personal work "overheated TRUCK"

CLIENT: PERSONAL PROJECT

ROLE: All production and design tasks using MAYA, PHOTOSHOP, and AFTER EFFECTS. I entirely 3D modeled this truck from scratch. Animated with KLING AI using a MAYA 3D render I made as the start frame.

NOTE: I made this project out of frustration with the character designs in Pixar's “Cars”. In my opinion, the front of a car already forms a face without putting eyes on the window..

personal work "THEORY OF EVERYTHING" SHORT film

CLIENT: PERSONAL PROJECT

ROLE: AI Director and 3d Lead, Creator. I performed all tasks in this project, including writing and design. I did 3d Modeling, rigging, animation, look dev, lighting and VFX using MAYA. 2D with PHOTOSHOP. Post with AFTER EFFECTS. AI with IMAGEN and KLING.

NOTE: The story is about psychology. This project involves compositing 3-D animation with AI generated video, which as far as I know was a world first in 2024.

personal work "THEORY OF EVERYTHING" DIORAMA

CLIENT: PERSONAL PROJECT 

ROLE: AI Director and 3d Lead, Creator. I performed all modeling, rigging, VFX using MAYA, textures with PHOTOSHOP, and compositing with AFTER EFFECTS. AI with NANO BANANA and VEO

NOTE: This project was based on a traditional 3d render that I made, edited and animated with AI

PERSONAL WORK "NONEUCLIDIAN dreams" VFX LOOP

CLIENT: PERSONAL PROJECT

ROLE: AI stills with WHISK, video using PIXVERSE. Sound made with SUNO. Upscale and post with TOPAZ.

vh1 "AI meme countdown" pitch

CLIENT: PERSONAL PROJECT

ROLE: AI Director. Stills with WHISK, FLUX, PHOTOSHOP Video using VEO, KLING, PIXVERSE, AFTER EFFECTS. Sound made with SUNO, HUME, ELEVENLABS. Upscale with TOPAZ.

NOTE: This was created as part of a pitch for a TV show.

personal work "batman alley" VFX short

CLIENT: PERSONAL PROJECT

ROLE: AI director. Stills with WHISK, FLUX video using PIXVERSE, SEEDANCE, VEO, KLING. Sound made with SUNO. Upscale and post with TOPAZ.

NOTE: The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic. The voice over text is by Alan Watts.

Ranchworx SOcial Videos

CLIENT: RANCHWORX (Florida)

ROLE: AI director. Images with NANO BANANA, Video with SORA. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS. Sound with SUNO and ELEVENLABS. Remote work.

NOTE: This video combines three clips that were made to be posted as vertical videos on social media. In addition to my usual roles I was responsible for the sound, motion graphics, and edit on this project. The client requested having Sora watermarks to hop on the current trend of Sora meme videos.

Ranchworx spot

CLIENT: RANCHWORX (Florida)

ROLE: AI director. Images with NANO BANANA, Video with VEO. Image editing with PHOTOSHOP Editing, Color, and Post VFX: AFTER EFFECTS. Sound with SUNO and ELEVENLABS. Remote work.

NOTE: In addition to my usual roles I was responsible for the sound, motion graphics, and live action edit on this project. The live action footage was provided by the client. Direct to client remote work.

personal work "Neon Destruction" episodic

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Creator, 3D, Post, VFX. Video: PIXVERSE., KLING, LUMA, MINMAX, VEO, SORA Still images: GOOGLE IMAGEN, FLUX KONTEXT, PHOTOSHOP. Video color correction, post: AFTER EFFECTS. 3D: MAYA Sound: SUNO and ELEVENLABS

NOTE: Trailer for Neon Destruction season 1. Neon destruction is a Sci-Fi animated series that was released in 10 weekly mini-webisodes in early 2024. It investigates serious questions about society and human nature under the guise of low brow entertainment. The editing and post uses traditional live action/VFX filmmaking techniques. The show is aimed at Autistic 13-17 year olds. The AI Slopera is a new genre which I invented for this project. The narrative embraces the chaos and sloppiness of early AI video generations as a punk rock Lo Fi experiment

personal work "second thoughts" VFX loops

Christina

laura

Ruby

Maia

CLIENT: PERSONAL PROJECT

ROLE: AI Director, Creator. Stills: WHISK, FLUX, PHOTOSHOP. Video: SORA and PIXVERSE AI. Edit color, and post VFX: AFTER EFFECTS, TOPAZ. Sound: SUNO and ELEVENLABS

NOTE: These works were all based on this traditional 3D project that I made. I had always intended to do claymation style animations like this, but never had the time to do it with 3D or traditional post.