This is the trailer for the season I worked on, when the show was rebooted on Hulu • Made by Matt Groenig, the creator of The Simpsons • I made 3-D assets and texture maps for characters, vehicles, and environments, but I did not work directly on the episodes • Onsite work in LA
I performed all production tasks based on a script and art direction provided by the client as a workflow demo • multi shot prompting
This is just a fun project, which was mainly intended as a test of Seedance for generating anime style • The story is about psychology
A quick test of multi shot prompting and consistent audio • I performed all production tasks • Remote work
This is the third version of this project, using the same basic imagery, but regenerating it with the latest technology to improve the visual quality • The idea is that AI is coming to save us instead of kill us • The original images were generated in 2022 with locally run Stable Diffusion • I have continued to use the original primitive generations as the style reference for the subsequent versions • Creating twin characters whenever the frame has a horizontal aspect ratio was a very common error with the early AI, but I decided to run with it and make it be a motif in the piece • I performed all production tasks
These videos were authored for display on 20 foot tall screens at the Healthcare Information and Management Systems Society conference in Vegas, attended by over 30,000 healthcare professionals • Each video played simultaneously on a different screen • I created the final videos based on rough storyboards provided by client • Remote work
Self promotion spot for the studio • I performed all production tasks • Remote work
Matching AI to live action product shots • Nothing Bundt Cakes is the largest cake bakery franchise in the US with 600+ locations • Creative directed by client • Remote work
Any resemblance to real IP is strictly coincidental • I performed all production tasks
The project is a teaser for a 3d feature adaptation of the 2d animated Netflix series • Onsite work in Baltimore
I made this project out of frustration with the character designs in Pixar's “Cars” • In my opinion, the front of a car already forms a face without putting eyes on the window • I performed all production tasks • I entirely 3D modeled this truck from scratch and used multiple 3D renders as references to create the consistent AI generations of the truck.
This project was based on a traditional 3d render that I made, edited and animated with AI • I performed all production tasks
I performed all production tasks • Creative directed by client • Remote work
Inspired by a real Reddit discussion • I performed all production tasks
This video combines three clips that were made to be posted as vertical videos on social media • In addition to my usual roles I was responsible for the sound, motion graphics, and edit on this project • The client requested having Sora watermarks to hop on the current trend of Sora meme videos • I performed all production tasks • Remote work
This project was the basis for an AI project I made later
This project combines live action, CGI VFX, and AI video generation and post • I created the final video based on storyboards + footage provided by client • Babolat is the oldest racquet sports company in the world, founded 1875 • Remote work
This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel • Some of the shots use 3-D composited into live action and other shots use AI • Remote work
I performed all production tasks
What if Kafka directed a film adaptation of Shakespeare's sonnet 18? I performed all production tasks
A quick test of multi shot prompting • I performed all production tasks • Remote work
The project was a studio promo animated short intended to achieve Western CGI production values for the Vietnamese local market • It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background • This was a vast time savings because the single frame took an hour to render • I performed all production tasks including sound • Remote work
Any resemblance to real people is strictly coincidental
These assets were made in 2008 for photoreal integration into an independant live action feature film drama called “Two gates of sleep”, which was a selection of Cannes Directors Fortnight • They were used far from the camera in dark lighting so they didn't have to be that detailed • At the time suitable premade assets were not available for cheap, so they had me do it, as part of doing the complete VFX for the shots the characters were used in • Because it was an art film being directed by a friend from RISD, I lowered my rate and wore many hats • Onsite work in NYC
Any resemblance to real people is strictly coincidental
The story is about psychology • using Jungian theory to embody the inevitable transition from evening into night as a dragon battle between heroic underdogs and a corrupt monarch • I performed all production tasks
These characters hosted the “Minyanville” TV show on FOXBusiness that ran for over 1000 weekly episodes • I created this animation by hand for the show’s pitch, including the lip sync, but motion capture animation was used for the TV episodes and I was not involved in the series production • Remote work
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Original designs by me
This is a look development test for the print image which was used on the physical cover of the video game “Gengi” published by Sony • Model and texture maps provided by client • Remote work
The Dr Everything IP was created by Mike Webber • I performed all production tasks based on a rough storyboard by Mike
This image is designed to make the a similar point as the animated short I created using the same robot, but compressed into a single image • I performed all production tasks
These videos were authored for display on 10 foot tall screens at the Groceryshop trade conference in Vegas • Each video played simultaneously on a different screen • Upshop is a comprehensive suite of AI tools to manage a grocery store chain • Creative directed by client • Remote work
CLICK IMAGE TO START REALTIME MODEL VIEWER
Original designs by me • The un-subdivided base meshes are less than 100k polys, suitable for gaming
This is an intro for a live action TVC for a fireman playset • I polygon modeled the character from scratch based on the real toy • Remote work
This animation was embedded in a website for Motorola mobile phones • Each character personified a different market segment with unique use cases for phones • Remote work
Directed by JON WATTS (SPIDERMAN) Illustrations by Katy Horan were adapted for use as textures • The actor in the video is by Cat Stevens’ son Yoriyos, who also wrote and performed the soundtrack • Onsite work in NYC
The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic • The voice over text is by Alan Watts • Any resemblance to real people is strictly coincidental • I performed all production tasks
Remote work
I worked on the shots used in the trailer as proof of concept, and edited the trailer, but the film was never finished because of budget problems • Virtual prosthetics I made were going to be used in over 100 VFX shots • Onsite work in NYC
This is a test render of an asset which the client intended to make into an NFT • Remote work.
Onsite work in NYC
Any resemblance to real people is strictly coincidental
Remote work
This contains clips from three different spots • Onsite work in NYC
These clips were made for an advanced flash website that's allowed users to interact with numerous multimedia components in an alternate reality game, but ultimately it was an advertisement for Sprite • Remote work
This is a look development test for a video game demo made for Valve software • I performed all 3d tasks • BG illustration by Jamie Burton • Onsite work in Seattle
