This is the trailer for the season I worked on, when the show was rebooted on Hulu • Made by Matt Groenig, the creator of The Simpsons • I made 3-D assets and texture maps for characters, vehicles, and environments, but I did not work directly on the episodes • Onsite work in LA
Animated sequences of flying pages with continuity • Remote work
The project is a teaser for a 3d feature adaptation of the 2d animated Netflix series • Onsite work in Baltimore
This project was the basis for an AI project I made later
This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel • Some of the shots use 3-D composited into live action and other shots use AI • Remote work
The project was a studio promo animated short intended to achieve Western CGI production values for the Vietnamese local market • It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background • This was a vast time savings because the single frame took an hour to render • I performed all production tasks including sound • Remote work
These assets were made in 2008 for photoreal integration into an independant live action feature film drama called “Two gates of sleep”, which was a selection of Cannes Directors Fortnight • They were used far from the camera in dark lighting so they didn't have to be that detailed • At the time suitable premade assets were not available for cheap, so they had me do it, as part of doing the complete VFX for the shots the characters were used in • Because it was an art film being directed by a friend from RISD, I lowered my rate and wore many hats • Onsite work in NYC
These characters hosted the “Minyanville” TV show on FOXBusiness that ran for over 1000 weekly episodes • I created this animation by hand for the show’s pitch, including the lip sync, but motion capture animation was used for the TV episodes and I was not involved in the series production • Remote work
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Original designs by me
This is a look development test for the print image which was used on the physical cover of the video game “Gengi” published by Sony • Model and texture maps provided by client • Remote work
This image is designed to make the a similar point as the animated short I created using the same robot, but compressed into a single image • I performed all production tasks
This project was based on a traditional 3d render that I made, edited and animated with AI • I performed all production tasks
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Original designs by me • The un-subdivided base meshes are less than 100k polys, suitable for gaming
This is an intro for a live action TVC for a fireman playset • I polygon modeled the character from scratch based on the real toy • Remote work
This animation was embedded in a website for Motorola mobile phones • Each character personified a different market segment with unique use cases for phones • Remote work
Directed by JON WATTS (SPIDERMAN) Illustrations by Katy Horan were adapted for use as textures • The actor in the video is by Cat Stevens’ son Yoriyos, who also wrote and performed the soundtrack • Onsite work in NYC
Remote work
I worked on the shots used in the trailer as proof of concept, and edited the trailer, but the film was never finished because of budget problems • Virtual prosthetics I made were going to be used in over 100 VFX shots • Onsite work in NYC
This is a test render of an asset which the client intended to make into an NFT • Remote work.
Onsite work in NYC
Remote work
This contains clips from three different spots • Onsite work in NYC
These clips were made for an advanced flash website that's allowed users to interact with numerous multimedia components in an alternate reality game, but ultimately it was an advertisement for Sprite • Remote work
