This is the trailer for the season I worked on, when the show was rebooted on Hulu • Made by Matt Groenig, the creator of The Simpsons • I made 3-D assets and texture maps for characters, vehicles, and environments, but I did not work directly on the episodes • Onsite work in LA
Made by Matt Groenig, the creator of Futurama and The Simpsons • I integrated 3D assets into 2D animated scenes, and integrated 2D animated characters into 3D scenes, all made by other artists. Lighting the shots and adjusting shaders. 3D character animation, 3d and 2d Camera animation. Background and environment asset 3d modeling and Look Dev. Final frame compositing, 2D VFX integration • Onsite work in LA
This is just a fun project, which was mainly intended as a test of Seedance for generating anime style • The story is about psychology
This was a pitch for a stylistic treatment for a vertical drama about the history of the Copacabana nightclub • I performed all production tasks
This clip was made to support a pitch for a feature film, updating “The Wind in the Willows” classic animation using CGI but retaining a stop motion feel • Some of the shots use 3-D composited into live action and other shots use AI • Remote work
Onsite work in NYC
The project is a teaser for a 3d feature adaptation of the 2d animated Netflix series • Onsite work in Baltimore
I was inspired to do this by my work on a pitch for a 3-D VFX film version of Wind in the Willows, that was made for Spiderman franchise director Jon Watts using traditional CGI • This literally took hours instead of weeks for the pitch that we made back in the day, which was also not nearly as dynamic • I performed all production tasks • Remote work
Any resemblance to real IP is strictly coincidental • I performed all production tasks
I performed all production tasks based on a script and art direction provided by the client as a workflow demo • multi shot prompting
This video combines three clips that were made to be posted as vertical videos on social media • In addition to my usual roles I was responsible for the sound, motion graphics, and edit on this project • The client requested having Sora watermarks to hop on the current trend of Sora meme videos • I performed all production tasks • Remote work
A quick test of multi shot prompting • I performed all production tasks • Remote work
The project was a studio promo animated short intended to achieve Western CGI production values for the Vietnamese local market • It was fully pre-visualized and animated in 3-D then AI was used as style transfer to create the final render based on a single fully realized frame with 3d fur groomed and full geometry foliage with volumetric light in the background • This was a vast time savings because the single frame took an hour to render • I performed all production tasks including sound • Remote work
These characters hosted the “Minyanville” TV show on FOXBusiness that ran for over 1000 weekly episodes • I created this animation by hand for the show’s pitch, including the lip sync, but motion capture animation was used for the TV episodes and I was not involved in the series production • I performed all production tasks • Remote work
This is a look development test for the print image which was used on the physical cover of the video game “Gengi” published by Sony • Model and texture maps provided by client • Remote work
The Dr Everything IP was created by Mike Webber • I performed all production tasks based on a rough storyboard by Mike
The story is about psychology • This project involves compositing 3-D animation with AI generated video, which as far as I know was a world first in 2024 • I performed all production tasks
This is an intro for a live action TVC for a fireman playset • I polygon modeled the character from scratch based on the real toy
I performed all 3-D modeling+surfacing • Camera Animation • Character Animation • Scene Layout • Lighting • Remote work
Directed by JON WATTS (SPIDERMAN) Illustrations by Katy Horan were adapted for use as textures • The actor in the video is by Cat Stevens’ son Yoriyos, who also wrote and performed the soundtrack
I performed all 3-D modeling+surfacing • Camera Animation • Character Animation • Scene Layout • Lighting • Onsite work in NYC
I made this project out of frustration with the character designs in Pixar's “Cars” • In my opinion, the front of a car already forms a face without putting eyes on the window • I performed all production tasks • I entirely 3D modeled this truck from scratch and used multiple 3D renders as references to create the consistent AI generations of the truck.
The AI used in this project was shown photographs I took personally of graffiti in the famous Batman Alley in Sao Paulo Brazil, in order to inform the aesthetic • The voice over text is by Alan Watts • Any resemblance to real people is strictly coincidental • I performed all production tasks
This clip was made to try my hand at the popular genre of AI animated Carl Jung philosophy Youtube videos • I tried to summarize it all in 30 seconds • Remote work
Remote work
Onsite work in NYC despite being for the British market
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Original designs by me • The un-subdivided base meshes are less than 100k polys, suitable for gaming
Remote work • A bootleg of this video taped off of MTV Headbangers Ball went viral and was viewed millions of times on YouTube, but was taken down
Onsite work in NYC • Illustrations were provided by client for use as texture maps on 3D models that I created in a fake paper style • Theatrical release doc starring Billy Joel
This project was the basis for an AI project I made later
This is a test render of an asset which the client intended to make into an NFT • Remote work.
This project was released in 2013, and it proved to be eerily prescient in its predictions • Onsite work in NYC
Onsite work in NYC • This video went viral and has been viewed millions of times on YouTube, despite being for an independent artist.
Any resemblance to real people is strictly coincidental
Remote work
I used the latest generative AI tools to create a bumper used for various media products for the Miami Marlins baseball team • I performed all production tasks • Creative directed by client • Remote work
These assets were Polygon modeled and textured from scratch using the real toys as reference • Onsite work in Seattle
Onsite work in NYC
This animation was embedded in a website for Motorola mobile phones • Each character personified a different market segment with unique use cases for phones • Remote work
Onsite work in NYC
I modeled and surfaced the bottle as well as the other assets using textures provided by the client • I integrated fluid sim data made by another artist • Onsite work in NYC
These clips were made for an advanced flash website that's allowed users to interact with numerous multimedia components in an alternate reality game, but ultimately it was an advertisement for Sprite • Remote work
This is a look development test for a video game demo made for Valve software • I performed all 3d tasks • BG illustration by Jamie Burton • Onsite work in Seattle
